Electronic

Browse AI-generated Electronic songs and create similar music. Discover unique Electronic tracks made with AI on MusicMint.

Wet Nights

female voice

female voice, hyperpop rap, dark phonk, glitchcore, experimental electro pop, cold wave, french electronic, heavy 808 bass, staccato mechanical vocals, rapid delivery, minimalist lyrics, dark pop, 160 bpm

Flotter par le feu

Pop;Rock;Electronic;Indietronica;Synthwave;Dream Pop;Soft Rock;Emotional;Anthemic

Pop;Rock;Electronic;Indietronica;Synthwave;Dream Pop;Soft Rock;Emotional;Anthemic, European 90s-inspired pop rock energy in first section with bright melodic structure, strong chorus-driven arrangement, wide stereo guitars, uplifting harmonic progression, followed by abrupt transition into minimal dark electronic pop with reduced instrumentation, repetitive hypnotic phrasing, intimate close-mic vocals, duet male/female vocal tension, analog synth pulses, punchy but sparse drums, cinematic contrast between expansive and minimal sound worlds, French main lyrics with occasional Italian interjections, radio-friendly hook design, strong repetition for memorability, dramatic structural shift mid-song, emotional romantic altitude metaphor throughout.

Ainsi Vient La Vie (Album Version)

Cinematic French Pop with orchestral and electronic elements. The track features a prominent cello playing a melancholic melody

Cinematic French Pop with orchestral and electronic elements. The track features a prominent cello playing a melancholic melody, accompanied by a duduk or similar woodwind instrument. A deep, sub-heavy synth bass provides the low end, while a modern electronic drum kit with a crisp snare and tight kick drives the rhythm. Orchestral strings provide lush, cinematic pads and staccato accents. The female vocals are breathy and intimate in the verses, transitioning to powerful, layered harmonies in the choruses. The arrangement includes dramatic builds with cinematic percussion and sweeping string arrangements. Key: D minor. Tempo: 110 BPM. Time Signature: 4/4.

NOITE BAIXA

Ambient Brazilian Phonk / Electronic Pop

Ambient Brazilian Phonk / Electronic Pop, 120–135 BPM. The production features airy pads, dreamy synth textures, and a smooth yet deep bassline, layered with subtle phonk percussion and montagem-inspired rhythmic elements. The drums are lighter but still groove-driven, with soft kicks and crisp percussion. The melody is emotional and immersive, balancing darkness with beauty. Female vocals are soft yet clear in the style of Ava Max, floating above the mix with precise tone and gentle harmonies while maintaining pop clarity.

Dou-te (techno, trance, industrial)

Portuguese Pop-Rock with electronic dance elements. Features a prominent distorted electric guitar playing syncopated power chords and palm-muted riffs. A driving synth bass follows the kick drum pattern. The drums consist of a punchy acoustic kick, a crisp snare, and shimmering hi-hats. Male vocals are delivered in a melodic, energetic tenor range with light saturation and delay. The arrangement includes filtered synth pads and rising white noise transitions. 128 BPM, 4/4 time signature, Key of B Minor.

Todo es real Geschlossene Augen Spanish edit

Spanish indie electronic

Spanish indie electronic, deep house groove, 132 BPM, spoken word intro, intimate alto vocals, rolling sub-bass, melodic arpeggiator, punchy four-on-the-floor kick, offbeat open hats, rimshot claps, tape-saturated club mix, bathroom slapback, cinematic breakdowns, sparse verse layering, major key uplift, bittersweet release

Heart Lock

Male Vocals

Male Vocals, K-Pop, Dance-Pop, Hip Hop, Trap, Breakbeats, Upbeat, 85 bpm, High Energy, Catchy Tunes, Synth, Electronic

遠吠え

genre: modern high-density Japanese alternative rock with melodic post-hardcore intensity and 2020s festival-ready polish. tempo: 95 BPM core pulse with double-time urgency and heavy half-time body. drums: modern hybrid acoustic kit with sample-reinforced kick and transient-shaped snare and ghost notes and syncopated kick movement and accented hi-hat openings. guitars: wide layered high-gain guitars with polished mids and tight rhythm and octave hooks and open chorus power chords. density: processed piano hits and filtered low-mid piano doubles and granular pads and spectral shimmer and filtered pluck pulse behind the band. bass: active rock bass locked to kick with firm low-mid focus and controlled sub support. production: major-label modern rock mix with dense layers and wide stereo guitars and polished piano texture and subtle electronic glue and loud clean mastering. arrangement: chorus-first full impact then tight verse reset and rising pre-chorus and huge dense final chorus.

Running From the Law

warped electro dubstep

warped electro dubstep, warped cyberpunk electro, dark techno, glitch-hop, twisted synthwave, 126 BPM, spoken intro, chant hooks, rap delivery, modular synth stabs, distorted bass drops, glitch percussion, industrial kick alarm, gated snare, sequenced arpeggios, digital FX hits, abrupt transitions, 2030s, cinematic breakdowns, sidechain pumping, nocturnal defiance, bells, energik, dark electronic, retro-futurism, cheerful, experimental electronic, elektrisk, infectious rhythm, dreamy pop, rock fusion, dizi, yacht electro rock, manic, paranormal hyperspeed, trance influence, powerful male strong voice, emotional, , indie surf, autotune, strong female voice, rock electro alternative, walking bass, minor scale, strong male voice, smooth rhythm, midwestern emo, energetic, bright tone, dark romance, soaring vocals, symphonic gothic metal, expérimental, indietronica, modern indie, allegro, techno metal, rolling bass, uk house, modern metalcore, analog warmth

So Let´s Dance

A vibrant 1990s synth-pop and freestyle track featuring upbeat electronic dance rhythms

A vibrant 1990s synth-pop and freestyle track featuring upbeat electronic dance rhythms, driven by syncopated Roland TR-808 drum machine patterns, pulsating Moog basslines, and bright, melodic Yamaha DX7 synthesizer hooks. The arrangement incorporates industrial sampling elements, occasional orchestra hits, and futuristic sci-fi sound effects seamlessly woven into a high-energy club groove. Female vocals deliver smooth, expressive, and slightly dramatic melodies with retro vocoder overlays and layered harmony stacks. The overall production has a crisp, dynamic retro-futuristic aesthetic, balancing dark electronic textures with an infectious, high-tempo danceability perfect for an vintage cyberpunk dance club. Anthemic, energetic, digital vibrations, soundwaves backspin bass rollin, uk techno details

Can’t take it anymore

Melodic

Melodic, art pop, dub/house, mid-tempo, alternative rock/ post grunge, resilient edge, verses build a quiet, simmering tension that explodes into the chorus, emotional exhaustion and fighting back against external perceptions, Distorted, heavy guitar riffs kicking in right at the chorus, stripped-back, bass-driven groove during the verses to let the lyrics breathe, a soaring, aggressive rock vocal climax—think screaming or pushing the vocal cords to the limit over an intense drum crescendo, synthwave, dark wave, A driving, cinematic bassline (think a heavy retro synth) pulsing at a steady tempo. soft, echoey vocals, while the chorus introduces bright, neon-tinged synth pads that feel triumphant and protective, electronic, hypnotic, emo rap/ alternative hip hop, Trap drums (crisp 808 hi-hats and heavy sub-bass) paired with a melancholy, looping electric guitar, piano, emotional depth, layered harmonies, glitch, aesthetic vintage, female vocals, indie soul

SOLAR ASCENT

124 BPM

124 BPM, uplifting melodic electronic, bright analog synthesizers, warm pulsating bassline, euphoric arpeggios, clear sparkling textures, virtuoso melodic sequences, 432Hz, transparent airy mix, majestic cinematic energy.]

Импульс--Сквозь Горизонт

Early 2000s alternative pop

Early 2000s alternative pop, dark synth-pop, aggressive electronic beats, emotional female vocals, whispering verses, explosive chorus, 130 BPM

Country Me Out (Remix)

Fast

Fast, energetic track fusing punk rock, old school rap, 90s country, and electronic textures. Alternating male and female vocals drive each section. Verses swap between punchy rap flows and soaring melodic hooks. Gritty distorted guitars cut through synth backdrops, underpinning the rebellious vibe. Rapid-fire drums and a bouncing drop add modern bounce, while country and soul influences color bridges. Layered harmonies amplify the catchy, anthemic choruses. Male vocals ,female vocals

Final Showdown

Thunderous metal

Thunderous metal, double kick bass, bossbattle, very fast paced forward driving aggressive industrial battlewave metal, cinematic cyber-metal, relentless driving rhythm, distorted synth bass, massive percussion, chant-like chorus, dark electronic textures, emotional male vocals, high-energy final boss atmosphere, constant momentum, hybrid rock and electronic combat music

Above the Cloudline (My Voice).

Reflective Australian cinematic folk with ambient electronic textures. Warm restrained male tenor with natural Australian cadence

Reflective Australian cinematic folk with ambient electronic textures. Warm restrained male tenor with natural Australian cadence, fully sung vocals, emotional honesty, clear diction, no theatrical oversinging. Slow atmospheric build from sparse piano, soft acoustic guitar and distant synth pads into widescreen strings, low toms and subtle cinematic drums. Conversational verses, soaring but grounded choruses, long melodic phrasing, deep emotional restraint. Inspired by open South Gippsland landscapes, fog valleys and reflective solitude. Long instrumental intro and extended outro. Warm analogue production, spacious reverb, evolving dynamics, under 8 minutes, emotionally immersive, human and sincere.

Cruel, Steel Night

парящие синтезаторы

парящие синтезаторы, Nu-metal and rap-rock, Distorted electric guitars play syncopated, palm-muted power chord riffs, A five-string electric bass follows the guitar patterns with a metallic, clanking tone, The drum kit features a dry, high-pitched snare and a double-kick pedal used for rapid bursts, Turntable scratches and electronic samples are integrated into the transitions, The tempo is 95 BPM in the key of D minor, The arrangement alternates between heavy, riff-driven sections and atmospheric passages with clean, delayed guitar melodies, флейта, скрипка, электрогитара, свирель, орган, загадочный, сентиментальный, темно-синие, электронный рок, южное госпел, проникновенный вокал, городские ритмы, эйсид-джаз, джент-гитары, гуцинь, глубокий латунь, экспериментальный синтезатор, индийский стиль, быстрая ловушка, мужской вокал кантри, брейкбит, неомелодико неаполитано, гитара акустика, альтернативный R&B дембоу, французская инди, даунтемпо джент, экспериментальная окружающая среда

Centuries of Obedience (Dark Explicit Remix)

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous, eerie, ritualistic, dreamlike, unsettling sense of suspended time and subconscious unease. Concept is abstract nightmare landscape shifting shadows and distant presences. Sound built from analog synth drones and tape manipulation. sparse treated organ or VCS style synth tones, thin reedy timbre, slow pitch drift, no clear melody, occasional dissonant clusters, heavy tape echo and cavernous reverb creating vast distance. Keyboards: low frequency drones, slowly modulating filters, unstable oscillators, rising and falling textures, no pulse, continuous morphing layers. Choir: Mellotron choir and treated vocal textures, ghostly, grainy, slightly detuned, swelling in and out like spectral voices, sometimes reversed. Overall texture is raw analog, soft noise floor, tape hiss present, wide dark space, gradual emergence and decay of sound masses. Ultra-wide stereo effect mix. Permanent R/L Channel effect switche

Centuries of Obedience (Dark Remix)

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous

نار بلا حدود - Fire Without Limits Оригинал: Gloria Аранжировка: Моримото

Arabian EDM

Arabian EDM,Dance Pop,Middle Eastern Club.Minor.124BPM.Male and Female duet vocals(female breathy sensual Arabic vocals,playful melisma,hypnotic emotional delivery;male passionate flamenco-style vocals,raw raspy gypsy tone,powerful rhythmic phrasing,similar to classic rumba flamenca singers).Arabic Percussion(darbuka rolling rhythms),Electronic Drums(punchy club beat),Deep Bass(thick pulsing groove),Spanish Flamenco Guitar(fast rasgueado,strummed rumba patterns),Hand Claps(fluid flamenco palmas),Synth Leads(hypnotic oriental scales),Oud(plucked rhythmic phrases),Ney Flute(airy emotional ornaments).Explosive Arabic club energy fused with rumba flamenca,dancefloor anthem with seductive call-and-response vocals