Electronic

Browse AI-generated Electronic songs and create similar music. Discover unique Electronic tracks made with AI on MusicMint.

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Devils Dance(Remix)

Cinematic Psychedelic Progressive Metal

Cinematic Psychedelic Progressive Metal,2005 style, Clean Audiophile Production, Polyrhythmic Heavy Drumming, Deep Growling Warwick Bass, Intricate Triple-Layered Electric Guitars with clean and heavy distortion, Acoustic Cello replacing electronic pads, Distant Tibetan Singing Bowls, Tribal Percussion, Haunting Melodic Vocals (Maynard style), 32-bit Dynamic Range.

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Из Tindera девчонка

Russian pop-rock with Emo-rock elements. Distorted electric guitar plays power chords and palm-muted rhythmic patterns. A prominent synthesizer provides bright

Russian pop-rock with Emo-rock elements. Distorted electric guitar plays power chords and palm-muted rhythmic patterns. A prominent synthesizer provides bright, staccato lead lines and chordal pads. The bass guitar follows the kick drum with driving eighth-note patterns. Drums feature a punchy snare and consistent hi-hat subdivisions. Male vocals are delivered with a melodic, energetic emo-rock timbre, occasionally utilizing layered harmonies in the chorus. The arrangement includes sudden dynamic shifts between verses and choruses, with electronic sweeps and riser effects used for transitions. 135 BPM, A minor, 4/4 time signature.

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ПОТОМ #NEW (2026)

Russian Nu-Metal with electronic elements. Distorted electric guitars play syncopated

Russian Nu-Metal with electronic elements. Distorted electric guitars play syncopated, low-tuned riffs alongside a driving drum kit featuring a crisp snare and double-kick patterns. A prominent synth bass and glitchy electronic textures provide a modern industrial layer. Male vocals alternate between aggressive rapping, melodic singing, and shouted delivery. The track features a high-energy, compressed production style with rapid-fire vocal delivery and heavy rhythmic accents. Tempo is 160 BPM in the key of D Minor. 4/4 time signature.

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نتمسّك ببعض

Arabic ballad

Arabic ballad, modern electronic, oud melody, qanun tremolo, darbuka groove, electric piano chords, synth bass pulse, airy pad layers, sidechain pumping, tape saturation, close mic strings, vocal reverb tail, 80 BPM, bittersweet ache, late-night intimacy, rising chorus, widescreen mix

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Снова светло

Style & Genre: Soviet-era synthpop revived — the dreamy

Style & Genre: Soviet-era synthpop revived — the dreamy, slightly melancholic electronic sound of 1980s Leningrad and Moscow; modern production honoring analog nostalgia; sounds like a memory of something you never actually lived through Vocals: androgynous voice, mid-range and slightly breathy — gender ambiguous by design; delivery is soft and internalized, never projecting outward; heavy reverb makes the voice feel distant and dreamlike; occasional doubling at the unison for ethereal thickness; no aggression, no power — only longing; Russian language or wordless vocalization equally valid Instrumentation: arpeggiated analog synth lead (Juno-106 or Oberheim character), pulsing synth bass on eighth notes, gated drum machine (808 or LinnDrum feel), wide synth pad with slow attack and long release, occasional real piano note punctuating the synth texture, chorus and flanger effects on guitar if present — everything sounds slightly underwater

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Кино - Песня без слов (Cover)

electronic rock

electronic rock, deep bass male vocals, indie pop-rock, synthpop, surround sound, guitar driven, dynamic rhythm

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L’Amour Reste

Raspy soulfull male voice

Raspy soulfull male voice, Latin pop, dance-pop, pop, flamenco influences, club, upbeat, romantic, rhythmic, percussion, guitar, synthesizers, melodic, vocal-driven, crossover, catchy, Latin dance, mainstream, energetic, festive, electronic, radio-friendly, epic poporchestral, up tempo, back vocals, vocal effects, fast bpm, up and down, rock, alternative rock, hard rock, glam rock, garage rock, raw, energetic, gritty, electric guitar, bass, drums, distorted riffs, aggressive, vocal-driven, powerful, rebellious, high-energy, live-band, modern rock, dynamic, edgy, anthemic.

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Je décongèle (Live version)

Live performance

Live performance, Same melody but Live performance version, Concert acoustics, Ambient audience, Stadium Echo, Soundboard recording, Natural reverb, Slightly distorted vocals, handheld microphone, Sophisticated Industrial Pop, Dark Synthwave, High-end fashion runway vibe, sleek electronic pulse, melodic techno, analog synthesizers, deep atmospheric bass, glamorous nocturnal mood, polished production, 115 BPM, seductive, elegant, 4K audio quality

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Tour du Monde

style french touch disco club groove afro latin rhythm high energy dancefloor tempo 108 bpm key g minor vocal male vocal confident playful french accent rhythmic delivery almost spoken groovy phrasing catchy repeats mon amour allez encore tout la nuit crowd chant style in drops sound punchy disco house kick tight driving funky bassline groovy elastic very danceable french touch chords filtered looping house, electronic, French house, dance, disco justice vibe rhythmic accordion stabs not melodic percussive bouncy french feel high energy percussion claps tambourine shakers latin groove additional groove layers hand percussion snaps stomp feel brass hits short punchy disco energy vocal chops male rhythmic loop hypnotic rhythm non stop groove no empty space disco swing afro latin bounce strong offbeat accents body movement focus layered percussion constant motion arrangement instant groove intro no atmosfernogo na

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NIGHT SNAKE (Eusexua Version)

Style: avant-garde R&B

Style: avant-garde R&B, experimental electronic, 70 BPM, fractured beats, deep sub-bass, whispering female vocal, ethereal, intimate, hypnotic, trip-hop, sensual, alien, eusexua, sparse production, glitch, breathing sounds, close mic, French lyrics, dark, nocturnal, fragile but dangerous

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Same Space; Different Worlds

Cyberpunk industrial trip-hop ballad 70–90 BPM

Cyberpunk industrial trip-hop ballad 70–90 BPM, steady, hypnotic Mood: detached, introspective, urban isolation, late-evening commute, emotionally numb Vocal: (follow persona) female, low husky voice, intimate, slightly breathy, restrained, no belting. Instrumentation: deep sub bass with subtle groove (slight funk influence) glitchy electronic beats, soft industrial percussion ambient synth pads (dark, neon atmosphere) minimal piano or electric keys (acid jazz tone, sparse chords) optional distant violin textures (ethereal, not dominant) Production: spacious mix, slightly lo-fi textures subtle distortion and digital artifacts (glitch, static, hum) layered urban ambience (train sounds, mechanical rhythm, distant announcements) gradual build, no dramatic drop Overall feel: being surrounded by people but emotionally invisible; quiet tension, not dramatic sadness

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Break The Noise

Voice: My Voice Tempo: 140 BPM Bass & Drums: Heavy 808 with smooth sub-bass

Voice: My Voice Tempo: 140 BPM Bass & Drums: Heavy 808 with smooth sub-bass, punchy kick, snappy snare, fast hi-hat rolls, funky rhythm, bright piano chords, glittery percussion, groovy electric bass Synths: Polished neon leads, sparkling synths, playful electronic leads, minimal glitch effects, vocoder accents Vocals & Hooks: Layered harmonies, chant hooks, ad-libs (Hey! Go! Oh!), no rap, all sung Mood: Bold, fierce, confident, pretty but lethal and joyful, curious, lively, full of discovery — like exploring Earth for the first time Structure: Strong build-up → explosive chorus → breakdown → final drop

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青に還るとき v5.5

Preserve original melody and phrasing. No melodic changes

Preserve original melody and phrasing. No melodic changes, no ad-libs, no extra runs. Change only arrangement, voice tone, and mix, floating, atmospheric, clearly, emotional, emotional vocal reverb. electronic guitar, strings.

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急がなくていい (no need to hurry)

alt-pop

alt-pop, modern pop, electronic pop, japanese lyrics, female vocals, young female vocals, j-pop vocal style, bright female vocal tone, clear youthful vocals, melodic female lead vocal, upbeat pop, mid tempo, 120 bpm, fixed tempo, immediate entry, catchy chorus, chant hook, hurahura hook, repeated vocal motif, clean modern production, punchy drums, tight kick and snare, warm sub bass, sidechained bass, airy synth layers, subtle guitar textures, controlled reverb, open mix, close mic vocal, vocal forward mix, polished pop production, high clarity mix, late night city mood, convenience store glow, crosswalk waiting theme, soft breeze atmosphere, low-pressure confidence, high replay value

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容身之所 A Place to Stay

Emotional ambient electronic ballad

Emotional ambient electronic ballad, healing electronica mixed with ambient progressive trance and neo-classical elements. Slow tempo around 84 BPM but very soft and weightless, almost floating. Gentle, intimate female vocal, close-mic, warm and breathy tone, calm and reassuring, not dramatic. Minimal piano with soft melodic phrases, surrounded by wide atmospheric pads and airy textures. Subtle evolving synth layers and very light arpeggiated elements, no strong beat, no drop, no heavy percussion. Very soft pulse or heartbeat-like low rhythm in the background. Cinematic spatial sound design, large reverb, immersive soundscape, like being inside a quiet safe space. Gradual build but never explosive, maintaining emotional restraint and calmness. Chorus slightly fuller with gentle harmonic layers, but still soft and soothing. Final section warm and glowing, soft resolution, lingering peaceful feeling. Overall mood: safe, still, comforting, introspective, like a place to rest and breathe.

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Fears In My Heart

Reggae dub

Reggae dub, male vocals, electronic sound, addictive riff, addictive intro, electronic reggae rework, instantly hooked, hardcore reggae

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まいぺーすスローライフ

A combination of healing Chill House ambient electronica and cute J-pop

A combination of healing Chill House ambient electronica and cute J-pop,warm sound kalimba,A kindness cute lovely girl's voice,Healing Lyre Harp,wooden percussion,softy healing chimes,healing effects,Pleasant three-dimensional spatial sound

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For you, My dear Life

[sad] [slow paced] [complex downtuned gothic doom metal guitar power chords riffs] [synth leads] [80s drums] [dubstep drops] [chiptune textures] Progressive electronic

[sad] [slow paced] [complex downtuned gothic doom metal guitar power chords riffs] [synth leads] [80s drums] [dubstep drops] [chiptune textures] Progressive electronic, arpeggiated analog synths, polyphonic counterpoint, sweeping resonant filters, cosmic atmosphere, no percussion, 1970s modular synthesis, melodic complexity, majestic, soaring leads, rubato, minor scale, virtuosa

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1.06 - diamonds [odd little love - album 1]

Indie pop with electronic and funk influences. Features a prominent

Indie pop with electronic and funk influences. Features a prominent, syncopated slap bass line and a tight, dry drum kit with a crisp snare. Clean, rhythmic electric guitar provides staccato chords and muted scratches. Synthesizers include bright, percussive leads and shimmering pads. Vocals are processed with light saturation and doubling, shifting between a natural chest voice and a smooth falsetto. The arrangement uses sudden stops and filtered transitions. 115 BPM, Key of B Minor, 4/4 time signature.

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1.07 - gods rent [odd little love - album 1]

Indie pop track featuring a blend of organic and electronic elements. The arrangement centers on a clean

Indie pop track featuring a blend of organic and electronic elements. The arrangement centers on a clean, rhythmic electric guitar playing syncopated chords and a prominent, melodic electric bass line. A drum machine provides a steady beat with a crisp snare and tight hi-hats, occasionally augmented by live drum fills and crashing cymbals. Male vocals are delivered with a smooth, slightly breathy tone, layered with harmonies in the chorus. A distinctive vocal chop melody with a high-pitched, glitched texture appears during transitions. The track is in the key of E major with a tempo of 120 BPM in 4/4 time. Synthesizer pads provide a lush, atmospheric layer in the background, while occasional percussive accents like woodblocks or rimshots add rhythmic detail.