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Don't do it [Solène Remix]

Electro

Electro, Club, Psycho Dance

Золото в устах /Gold in the mouth (r.v)

H. Q

H. Q, UK indie rock vibe opens with smooth acoustic guitar and lush string pads. Verses add crisp drums, warm bass, melodic electric leads, and raspy female Russian vocals. Choruses burst with vibrant synths, airy harmonies, and dense layering. Bridge pares back, then a cinematic finale merges sweeping strings, soaring guitars, and dynamic drums for a dramatic end.

Sweet Loving 💋

“A euphoric

“A euphoric, high-energy tropical-deep house track at 125–130 BPM, blending tropical house, deep house, and cinematic trance elements, featuring triple-layered punchy sidechained bass, shimmering plucky synths, bouncy arpeggios, airy pads, dreamy leads, and cinematic risers leading into explosive, dancefloor-shaking drops. Ethereal female vocals float effortlessly over crisp percussion, punchy bass, and snappy claps, with catchy hooks, airy ad-libs, and stacked harmonies, delivering modern, lo-fi euphoric, festival-ready energy. Clean, bright, immersive wide stereo mix, hypnotic, uplifting summer vibes, and emotional, hypnotic hybrid energy.”

Don't do it (Hype Mix)

K-pop

K-pop, Brazilian phonk fusion, funk mandelão, baile funk, hyperpop, UK drill, Jersey club, dark electro-pop, future bass, industrial trap, bubblegum bass, trap soul, 120 BPM, youthful snotty Korean girl crush female vocals, breathy rebellious bilingual rap-sing, snarled aggressive staccato, speaker-obliterating 808 sub-bass, distorted growling bass swells, pitch-shifted wobbles, metallic funk carioca drums, dark piano stabs, stuttering kick triplets, blown-out synth saturation, pitch-shifted vocal chops, synth risers explosions, jazz chord shimmers, metal crunch layers, percussion chaos breaks, glitchy vocal processing, crisp snare cannon, rolling phonk cowbell hi-hats, tight low-end mix, layered harmonies, whisper-to-belt, dominant it-girl energy, polished K-pop core under chaos, stadium drops, hypnotic addictive hook

В комнате без света

Synthwave

Synthwave, driven bassline

Lily's Tears Of Emphatic Call

[Song Title: I Am Lily] [Genre: 90s Pop Ballad

[Song Title: I Am Lily] [Genre: 90s Pop Ballad, Soft Rock, Female Vocals Only] [Voice: Female Alto, Warm, Gentle, Sincere, Karen Carpenter Style] [Tempo: Slow building to Mid-Tempo] [Mood: Emotional, Protective, Defiant]

×Who We Are×

male vocals

male vocals,sad,slow,acoustic, somber,folk,harmonica

🤍Soft piano ft. RiSi 🤍"Ёжик, ты мой Valentine"

dance-pop

dance-pop, dark pop, TikTok viral anthem

Vaelora Noctis

indie rock

indie rock, folk, electric guitar,

No Results Found

Bmore Club × old school ska

Bmore Club × old school ska, Hip-House and turntablism, Baltimore Breaks, Miami Bass, Chicago House, UK Rave.

No More

Alt R&B Soft Trap Fused With Afrobeat Groove

Alt R&B Soft Trap Fused With Afrobeat Groove, Hypnotic Sway And Head-Nod Rhythm, DEEP BOOMING 808S WITH MASSIVE SUB-BASS RUMBLE, EXTRA-HEAVY PUNCHY BASS LAYERS, COLOSSAL LOW-END DOMINATION IN CHORUSES AND DROPS, Hard-Hitting Bass With Saturation For Extra Thickness, Heavy Melodic Synth Leads, Hollow Snare Knocks, Crisp Polished Production, Spiritual Undertones With Ethereal Reverb And Prominent Thick Gospel Choir Vocal Layers Stacked Harmonies Gospel Choir Swell In Choruses, Afro-Unique Male Vocals Smooth And Soulful With Unique Timbre And Light Ad-Libs, Shimmering Atmospheric Pads, Warm Electric Piano Rhodes, Syncopated Congas And Shakers For Afro Influence, Soft Trap Hi-Hats Rolling Subtly, Lush Cinematic Mix, Emotional Depth, Hypnotic Repetition, Head-Nod Bounce, Modern Crisp Sound, No Harsh Distortion, Uplifting Yet Introspective Vibe With Soaring Prominent Gospel Choir Backing And Overpowering Deep Bass Emphasis In Choruses, Thunderous 808 Slides And Sustains, Sub-Bass Prioritized

BETWEEN SECONDS

Melodic Techno x Festival Anthem

Melodic Techno x Festival Anthem, 127 BPM, radio edit 2 minutes 45 seconds to 3 minutes max, short intro under 15 seconds, fast build, massive first drop, short emotional breakdown, explosive final drop, end immediately after second drop, hard stop ending, no extended techno sections, no long ambient intro, compact high-impact structure, global mainstage energy, powerful rolling bassline, punchy festival kick, tight low-end control, cinematic tension risers, brief silence before drops, bright wide melodic lead in drops, huge stereo expansion at peak, designed for crowd singalong moments, deep raspy male vocal, dark gravelly baritone, smoky textured whiskey-soaked tone, subtle vocal fry, natural cracked edges, intimate close-mic presence in verses, stronger projection in drops, slight analog saturation on vocals, subtle harmonic overdrive, emotional but controlled delivery, vocals only at key peak moments, anthem-level intensity without excessive repetition

Don't do IT

telephone mic

telephone mic, found recording, dreamstate [1930's samples][amazing dreamscape latino canadian emo male vocals]

あくび – Yawn at Dusk

Genre: Shibuya-kei × Indie Pop × Dreamy Indie (minor

Genre: Shibuya-kei × Indie Pop × Dreamy Indie (minor, light bounce) Mood: Urban, reflective, light lift Theme: Everyday ritual, unresolved question Lyrics focus: Minimal imagery, refrain-driven contrast Instruments: Electric piano, tight bass, dry drums, light hats, subtle synth Vocals: Soft breathy female with subtle phrasing variation; gentle rhythmic push and slight pull between lines; minimal vibrato; chorus slightly lifted but not powerful; bridge nearly whispered and fragile. Harmony: Lead focused; subtle upper in chorus; blend in final; none in bridge Tempo: 98 BPM, straight 8th with light bounce Structure:10sections [Intro]→[Verse1]→[Pre-Chorus1]→[Chorus1]→[Verse2]→[Pre-Chorus2]→[Chorus2]→[Bridge]→[Final Chorus]→[Outro] Production: Dry modern indie mix, tight low end Overall: Minor urban indie, light bounce.

White Night

A high-energy alternative rock track blending elements of post-hardcore and melodic emo. The song features aggressive

A high-energy alternative rock track blending elements of post-hardcore and melodic emo. The song features aggressive, distorted electric guitars playing power chords and intricate lead lines, supported by a driving drum kit with heavy snare hits and rapid double-kick patterns. The vocals transition from melodic, emotive baritone delivery in the verses to powerful, belted tenor screams in the chorus, characterized by a raw and gritty texture. The structure follows a verse-chorus-verse-chorus-outro format. The production is polished with a wide stereo field, utilizing heavy compression on the drums and a slight reverb on the vocals to create a sense of space. The tempo is fast, approximately 160 BPM, set in a minor key to evoke a sense of urgency and emotional distress.

BEEF and BEEF

Don't Do It

Rockabilly Country

Rockabilly Country, Bluegrass, Trap

Worthy (Remix)

Light rock

Light rock, catchy emotional male vocals

Wild Drive

This high-energy Acoustic Dance-Pop and Pop-Rock track is built on a steady "four-on-the-floor" kick drum and a sharp

This high-energy Acoustic Dance-Pop and Pop-Rock track is built on a steady "four-on-the-floor" kick drum and a sharp, syncopated acoustic guitar, creating an optimistic, fast-paced sound designed for dancing and a sense of absolute speed and freedom. The vocal performance is dynamic and exalted, alternating between rapid, almost-spoken verses delivered with youthful urgency and powerful choruses where notes are held with strength using full chest voice, all punctuated by signature ad-libs and soaring high notes that perfectly capture the feeling of total letting go.

Lost in the Pot