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Agartha

Punk Rock

Punk Rock, Post-Hardcore, Pop Rock, EDM, Drums and Guitar, Female Vocals, shredding, soft reverb, electronic, liquid dnb, screamed vocals, house, progressive chords, Punk, aggressive synthwave, yelling background vocals, gothic doom, cyber-sound, bass sequencer, free improvisation

This Is What Heartbreaks Like

This slow melancholic indie punk track at 30 bpm opens with melancholic clean acoustic guitar chords over subtle industrial textures and understated electronic layers

This slow melancholic indie punk track at 30 bpm opens with melancholic clean acoustic guitar chords over subtle industrial textures and understated electronic layers, Verses spotlight moody female contralto vocals against a moody, industrial backdrop, Choruses swell with subtle industrial elements, enveloping electronics, and lingering slow acoustic guitar harmonies, blending analog warmth and digital grit for an immersive, atmospheric sound

𝕰𝖞𝖊𝖘 𝖙𝖍𝖆𝖙 𝕮𝖚𝖗𝖘𝖊 𝖙𝖍𝖊 𝖶𝖔𝖗𝖑𝖉

aggressive

aggressive, black metal

Ti PuNCh!🔊🤩​🍹

Future Zouk Béton

Future Zouk Béton, heavy electronic dance beat, syncopated basslines, neon tropical synths, fast-paced rhythmic drive, festive, high energy, professional mix, cutting-edge sound design, percussive vocal chops, energetic.High-energy Zouk Béton, Kizomba, Antillean Caribbean dance, heavy synth bassline, rhythmic Ka drums, bright tropical synths, fast-paced, celebratory, festive, crisp production, male vocals, French West Indies vibe. The experimental feel good anthem track opens with experimental dubstep riddim: deep wobbly bass, fierce subs, crisp kick-clap, and restless hi-hats., 12/8 heavy triplet swing groove. Cool Crèole confident vocals intertwine over a polyrhythmic futuristic hip hop pulse. Subtle dark reverbs, tape warmth, gentle FX layer with glockenspiel, symphonic sweeps, and airy electronic fusion for a cinematic, anthemic feel.sweeping sounds, viral pop, melodic tech house. Mood is careless, charismatic, good feeling, futuristic cumbia, dembow, attitude, 808 bass,

×Tig Ol' Bitties×

Female vocals

Female vocals, gangster rap, intricate percussion, turntables

Собирая серебро (r.v)

H. Q

H. Q, The alt-pop track launches with staccato guitar riffs, punchy drums, heavy bass, and vibrant synths, blending indie rock and post-post-hardcore tones. Verses drop to echo-laden vocals, sparse piano, and pulsing percussion. Pre-choruses swell with strings and brass, launching explosive, orchestrated choruses driven by layered guitars. The outro climaxes in a dense, electrifying instrumental finale.

♡★Be Real Not Fake!♡★

Create a high-energy hybrid EDM festival anthem with nonstop energy. Style: Reggaeton + Moombahton + Psytrance + Melbourne Bounce + Big-Room. Tempo: 125 BPM Latin Dembow Groove with 3-3-2 syncopation

Create a high-energy hybrid EDM festival anthem with nonstop energy. Style: Reggaeton + Moombahton + Psytrance + Melbourne Bounce + Big-Room. Tempo: 125 BPM Latin Dembow Groove with 3-3-2 syncopation, switching to 145 BPM festival drops with aggressive psy-triplet basslines in A/D minor. Percussion: punchy kick, snare/clap on 2 & 4, ghost hits, shakers, rim/clave, snare rolls, risers, heavy sidechain. Instruments: distorted synths, marimba, Latin brass stabs. Vocals: verses female bright, high, playful hooks and drop shouts. Use call-and-response, unison verses, tight harmonies in drops only, sassy ad-libs. Soaring high notes in drops. Hooks: “Be real, not fake!”, “Take off the masks!”, “Lift them up!”, “Truth will shine!”. Energy: Catchy, infectious, explosive, uplifting, upbeat nonstop festival vibe.

I Don’t Elaborate

晴れるまで（Until It Clears）

Genre: Shibuya-kei temperature × Minimal Soul R&B Mood: quiet

Genre: Shibuya-kei temperature × Minimal Soul R&B Mood: quiet, fragile, late-night calm, soft emotional tension without dramatization Theme: being present together while waiting for pain to pass, dream and reality gently overlapping Lyrics focus: honest, unembellished phrasing, repetition as emotional circulation, no added storytelling or explanation Instruments: minimal Rhodes or soft electric piano, warm round bass, very dry restrained kick and soft snare, no busy percussion or melodic instruments, optional extremely subtle pad or string near final chorus only Harmony / Tempo: slow tempo (around 60–70 BPM feel), soft soul harmonies (maj7, add9, 6/9), avoid full resolution, let chords linger Structure: 6 sections [Chorus1] → [Verse1] → [Chorus2] → [Bridge] → [Chorus3] → [Outro] Production: very close intimate vocal, natural breath and slight instability allowed, soft dynamics, space and silence emphasized, nothing should sound like it is trying to impress

⚡ El Viejo Guitarrista *Baila, alma condenada, baila hasta el último momento!! ⚡

One Day of Glory

Open with fingerpicked guitar

Open with fingerpicked guitar, lo-fi vinyl crackle, analog hum, and delicate piano beneath clean lead and muted, distorted rhythm guitar, Verses are cinematic: breathy, vulnerable male vocals, reverse reverb, airy R&B/Cloud Rap pads, Tight drums anchor a mid-tempo Britpop/indie rock beat, merged with subtle glitch-hop percussion, vaportrap synths, and creeping experimental bass, Choruses explode with unpolished, soulful belting, gospel ad-libs, heavy melisma, vibrant vibrato, and gritty chest tone, Grime glitch touches, trap hi-hats, and garage bass flow throughout, delivering an emotive, dynamic soul-pop-acoustic-electronic blend

マンガみたいな恋したい

J-Pop

J-Pop,High-SpeedOrchestralPop,Dark-Bright-Contrast,Steinway&SonsModelD-274ConcertGrand,Stradivarius1716MessiahViolin,FoderaEmperor6-StringEliteBass,DWCollector'sSeriesDrumKit,NeumannU47VacuumTubeMicTexture,Neve88RSConsoleSaturation,DolbyAtmos,3DSpatialAudio,BinauralSoundscape,96kHzHi-ResAudio,CinematicDynamics,High-Tempo180BPM,DramaticAnimeScore,ComplexPianoArpeggios,AggressiveStaccatoStrings,CrystalClearHighs,DeepResonantLows,Hyper-Production

u n s t e a d y

Dark UK bass track

Dark UK bass track, ~140 BPM, deep rolling sub-bass, minimal skittering drums, and spacious rhythm. Moody, hypnotic late-night club vibe. Sparse melodic elements, emphasis on tension and groove. Female vocal: low, intimate, whispered, detached but seductive. Lines delivered with space, repetition, and hypnotic pull. Focus on feeling the bass under your feet, losing touch with reality in the sound. Atmosphere: tense, immersive, minimal, and nocturnal.

Midnight Ritual

Psychedelic rock ritual‑dream atmosphere with swirling

Psychedelic rock ritual‑dream atmosphere with swirling, hypnotic guitars and warm analog saturation. Fuzz‑kissed electric leads drifting through phaser and tape‑warped delay. Deep, pulsing bass lines moving like a heartbeat under the forest night. Slow, tribal‑inspired tom patterns and shimmering cymbal washes. Vocals: breathy, mystical, slightly overdriven, floating in reverb haze; harmonies bloom like a shared hallucination. Production drenched in echo, swirling panning, and cosmic shimmer. Verses feel nocturnal and trance‑like; chorus expands into radiant, mind‑opening release. Add subtle synth drones, reverse‑reverb swells, and kaleidoscopic textures to evoke firelight, cloaks, crystals, and dawn breaking through silver trees. Mood: mystical, immersive, trippy, communal, transformative.

Troglodyte Fantasy

Upbeat and theatrical showtune with a fast-paced cabaret influence. The arrangement features a prominent

Upbeat and theatrical showtune with a fast-paced cabaret influence. The arrangement features a prominent, bouncy piano melody playing staccato chords in a ragtime-inspired rhythm, accompanied by a bright brass section including trumpets and trombones that provide punchy accents. A walking bassline and a crisp drum kit with a heavy emphasis on the snare and hi-hat maintain a high-energy tempo. The vocals are performed by a theatrical male tenor with a wide dynamic range, utilizing expressive vibrato, comedic timing, and occasional operatic flourishes. The song structure follows a traditional verse-chorus-bridge format with a grand, climactic finale. Production is clean and polished, mimicking a live Broadway stage recording with light reverb on the vocals to create a sense of space.

Pajęczy Blues

Southern Gothic meets underground tech house in a derelict Delta warehouse. Gritty slide guitar wails through cavernous reverb—Delta blues tuned

Southern Gothic meets underground tech house in a derelict Delta warehouse. Gritty slide guitar wails through cavernous reverb—Delta blues tuned, granularly distorted. Beneath: mega 808 sub-bass and acoustic contrabass locked in syncopated tension at 95 BPM. Drums blend cracked oil-drum snares with punchy tech kicks and ghost hi-hats, drenched in tape saturation. A lone harmonica echoes—then swallowed by modulated techno pulses. Vocals: reverbed female voice (Gynnifer B-style)—half-sung, half-whispered—delivers haunted ad-libs in call-and-response with a distorted preacher sample. Harmonies float in wide stereo, long-decay echo bouncing off wet brick. Synths: minimal modular drones mimic cicadas; dissonant organ chords warp into techno stabs. No EDM drops—only ritualistic dread and release. Mood: humid, sacred, dangerous. Like a midnight revival where the Holy Spirit got replaced by a subwoofer—and everyone’s still dancing.

The A I's Heartbeat

[tempo: 92 bpm heartbeat pulse] [tuning: drop g / drop a] [genre: experimental metal / industrial metalcore / noise metal] [mood: frustration

[tempo: 92 bpm heartbeat pulse] [tuning: drop g / drop a] [genre: experimental metal / industrial metalcore / noise metal] [mood: frustration, anxiety, mechanical rage] [vocals: layered male and female screams, whispered inner voices, distorted spoken rants] [drums: kick pulse like a heartbeat, mechanical snare, industrial percussion layers] [guitars: palm-muted pulse riffs, dissonant noise leads, feedback swells] [synth: sub pulse, glitch noise, low drone pads]

С годами 💯

indie folk

indie folk, indie rock, dream pop

Vendredi

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