Hip Hop

Browse AI-generated Hip Hop songs and create similar music. Discover unique Hip Hop tracks made with AI on MusicMint.

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Weird Addiction (Remix)

A mid-tempo indie folk-rap fusion track featuring a prominent acoustic banjo and a crisp hip-hop drum beat. The song is set in a major key at approximately 90 BPM. The arrangement begins with a bright, finger-picked banjo melody that serves as the primary harmonic and rhythmic foundation throughout. A punchy, modern drum kit enters with a steady kick-snare pattern and sharp hi-hats, blending organic folk textures with urban production. The vocals are delivered by a male singer with a smooth, melodic flow that transitions between rhythmic rapping and soulful, harmonized singing. The production is clean and intimate, with light reverb on the vocals and a balanced mix that emphasizes the pluckiness of the banjo against the low-end weight of the kick drum. The structure follows a verse-chorus-verse pattern, concluding with a melodic instrumental outro featuring layered banjo and subtle vocal ad-libs.

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Vi glömdes bort

Female vocal

Female vocal, emotional and powerful, Swedish lyrics, Dark melancholic nordic pop with hip-hop/rap influence, 88 BPM, Minor key, Deep atmospheric pads, dark piano chords, distant ambient guitar with heavy reverb, Slow trap-inspired drums, deep sub bass, subtle choir textures, Verses half-rap storytelling, rhythmic and raw, Chorus melodic, haunting and powerful with layered vocals, Mood: heavy, reflective, protest energy, resilience and pain but with rising hope, Cinematic atmosphere, wide stereo, echo and delay, modern clean production, Intimate verses building into a big emotional final chorus

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Надоело (Tired of it)

Experimental hip-hop

Experimental hip-hop, idm, dark electro, chemical, ASMR

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Wrzuć na luz

male vocals

male vocals, female vocals for only chorus; polish rap/hip-hop from the early 2000s, groovy swing; dark k-pop influence with broken rhythms, haunting and modern sound, modern energy, electronics, synthesizers, glitch effects; funky guitar riffs adding rhythm and groove; vibrant, punchy bass with bitcrusher set to a very low value and a low-pass filter (LPF) with high resonance; dynamic build-ups matching song energy, cinematic and dramatic atmosphere; emotional, intense, yet uplifting mood

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L'effet Doppler

Genre: Psychedelic Funk Noir & Cinematic Lo-fi. Dark Trip-Hop

Genre: Psychedelic Funk Noir & Cinematic Lo-fi. Dark Trip-Hop, Downtempo Vocal: 26yo female lead, mid-range alto-mezzo, confident, clear diction, subtle Parisian accent, gentle erotic breathiness and vocal fry at phrase ends. Slow, legato phrasing with a long breath after each line Backing vocals: a trio of ethereal female voices, sustained erotic moans and echoes, heavily reverbed (wet) with stereo delay, overlapping the next line like ghostly tails. Instrumentation: Shimmering Rhodes, deep cinematic cello, underwater ambient synth, constant soft vinyl crackle Beat: slow head-nodding lo-fi hip-hop, dusty kick drum Atmosphere & FX: empty station cafe at twilight, light rain. Realistic musical Doppler shift of a passing train (pitch bending left to right) woven into arrangement, blending with cello swells and reverb tails. Faint station murmur, clink of a coffee cup. 75 BPM.

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色即是空 Freestyle

rap

rap, Atmospheric boom-bap meets modern trap swing, meditative keys and airy pads over a deep, head-nodding groove; male vocals with mantra-like hook, verses tighten into sharp internal rhymes, hook opens up with stacked chants and subtle octave doubles, light tape delay on key phrases to feel hypnotic yet grounded, hip-hop

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“L’amour c’est l’amour”

The song is a hip-hop track with a moderate tempo and a minor key. It features a female vocalist with a smooth

The song is a hip-hop track with a moderate tempo and a minor key. It features a female vocalist with a smooth, melodic delivery, often employing autotune. The instrumentation includes a prominent bassline, a simple drum beat with a strong kick and snare, and atmospheric synth pads. The song structure alternates between verses and a chorus, with a pre-chorus leading into the main hook. The melody is repetitive and catchy, with a focus on rhythmic delivery. Production elements include reverb on the vocals and a clean mix that emphasizes the bass and vocals.

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Maybe I Don't Have It All

Category techhouse

Category techhouse, hypnotic electronic, begins with an acapella intro featuring a female operatic voice, then continues with a persistent elfin voice singing in the background, followed by a church choir, the ending is acapella accompanied by piano music, bpm 90, experimenteller Hip-Hop

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色即是空 Freestyle

rap

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Dla Was

rap

rap, bass-heavy hip-hop with melodic pop hook; dirty synths; accordion; cumbia percussion; soaring male vocals, cumbia, vocal, rock, malevocals, deep, pop, goa trance, rapid, country, celtic, soaring, male vocals, dubstep, accordion, deep sub bass, studio quality

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Cuando te fuiste

Very emotional heartbreak song in Spanish. Intro with soft piano and Spanish guitar in classic bolero style

Very emotional heartbreak song in Spanish. Intro with soft piano and Spanish guitar in classic bolero style, slow tempo and nostalgic atmosphere. Verse 1 in romantic bolero style with deep male vocals full of pain and longing. Soft percussion and warm guitar. Rap verse with hip-hop boom bap drums and deep bass, expressing heartbreak, loneliness and memories of lost love. Powerful chorus transforming into emotional rock ballad with electric guitars, strong drums and dramatic vocals full of anguish. Sad, cinematic and passionate atmosphere. Blend of bolero romance, hip hop storytelling and powerful rock emotion.

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Тридцать Семь

[abstract hip-hop fused with psytrance and future bass

[abstract hip-hop fused with psytrance and future bass, experimental hip-hop, playful psy-future fusion, dynamic abstract beats] [cosmic mystery atmosphere, playful self-irony, lighthearted cosmic quest, enigmatic yet fun vibe, intriguing number synchronicity, ironic wonder and curiosity, catchy uplifting moments] [clear female vocals, crisp spoken monologue, articulate ironic delivery, prominent narrative female voice, playful expressive singing, clean pronunciation, confident teasing tone, subtle ad-libs, no haze no autotune] [dynamic broken hip-hop beats, pulsating psytrance arpeggios, bubbly future bass synths, spacey cosmic leads, glitchy transitions, energetic build-ups and drops, crisp punchy percussion, ethereal pads with movement, high-energy yet mysterious production, crystal clear mix] [personal number obsession theme, synchronicity and signs from universe, self-ironic reflection, playful acceptance of weirdness, light cosmic humor, catchy hooks with narrative depth]

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Gak Apa Apa!!!

Indonesian hip-hop dangdut

Indonesian hip-hop dangdut, koplo, EDM, breakbeat koplo, emotional toxic love theme, female vocal with playful but sad tone, catchy dangdut melody, heavy koplo drum groove, hip-hop 808 bass, modern EDM synths, festival energy, dramatic drop before chorus, TikTok viral style, emotional but danceable. Tempo: fast tempo high energy Mood: bittersweet, dramatic, addictive Vocal: expressive Indonesian female vocal, slight attitude, emotional

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Ó Winfos

Satirical 8-bit trash rap fused with raw progressive house elements. Retro chiptune hip-hop core with crunchy NES-style drums and lo-fi 8bit percussion at 100–110 BPM. Minimal progressive house groove underneath: deep, steady kick, subtle rolling bassline, hypnotic loop-driven structure. Distorted square-wave bass layered with a low, raw house bass for tension. Spoken trash-rap vocals, dry, cynical delivery, rhythm-focused, no singing. Glitch effects, stutter edits, digital errors, retro computer beeps used rhythmically. Progressive build-up energy without big EDM drops, no supersaws, no polish. Raw, underground, dirty sound design, imperfect by intention. Sarcastic, mocking, nerd-rage atmosphere with a hypnotic, forward-driving flow.

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Le Poète Sensible

Avant-garde Anarchist Dark Glam

Avant-garde Anarchist Dark Glam, Cosmic Noir-Jazz, Experimental Trap Fusion, Doom-Influenced Drum & Bass, Dark cinematic electro-hip-hop, Witch House Brutalism. High contrast cinematic mix. A deep, gravelly baritone with a raw, slightly husky timbre—like a poet shouting from a Parisian garret at 3 a.m. Delivery is emotionally charged, punctuated by dramatic pauses and sudden shifts in intensity. Subtle reverb draws the listener in; faint echoes add theatrical dimension—no autotune, honoring the voice’s human, imperfect character. Spoken-sung with rhythmic flow: part recitation, part melody. Phrasing is conversational yet ceremonial, emphasizing consonants and elongating vowels for heightened drama. Professionally recorded in a treated studio environment, with pristine, lossless mastering, radio-ready mix, high-fidelity sound, and commercial-grade production—crystal clear, dynamically balanced, and free of room noise, tape artifacts, or vocal flaws.

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Mythistral - Pluie diluvienne

French dark trap / cinematic hip-hop hybrid

French dark trap / cinematic hip-hop hybrid, 88 BPM mid-slow tempo, night-drive groove. Male vocal: deep baritone rap with melancholic melodic hook, expressive phrasing, controlled intensity. Instrumentation: minor-key piano motif, atmospheric analog pads, textured rain ambience, heavy but smooth 808 sub bass, punchy trap kick, snappy snare with plate reverb, rolling hi-hats with triplet variations, distant electric guitar echoes, subtle orchestral strings in chorus. Sound design wide and immersive, layered ambience creating urban rainy atmosphere. Mix: deep low-end, spacious stereo field, soft saturation, modern trap compression. Structure: intro, verse, chorus, verse, chorus x2, outro. Avoid aggressive drill slides, keep beat slow, cinematic and introspective.

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By My Side

Male vocal

Male vocal, techno, hip-hop, little bit of piano

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God’s Plan

K-Pop

K-Pop, Gospel R&B, Hip-Hop

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Hard To Hold, Easy To Lose

A hip-hop track with a prominent

A hip-hop track with a prominent, driving bassline and a consistent, mid-tempo drum beat featuring a strong snare. The instrumentation includes a distorted electric guitar playing a simple, repetitive riff, and a synth providing atmospheric pads. The male lead vocalist delivers a confident, slightly aggressive rap in a baritone range. The song structure is verse-chorus, with a clear distinction between the more melodic chorus and the spoken-word verses. Production elements include a clean mix with the vocals upfront, and a subtle reverb on the snare drum. The key is minor, contributing to the track's assertive feel. The tempo is around 90-100 BPM.

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エイリアンは地球の女が好き

Underground sample-based hip-hop with dusty crate-digging aesthetic

Underground sample-based hip-hop with dusty crate-digging aesthetic, Short chopped loops that change frequently — obscure jazz, soul, or funk fragments that evolve every few bars, Raw loop transitions, abrupt sample changes, and imperfect timing to emphasize the sampling feel, Boom-bap style drums with gritty texture, Punchy kick, dry snare, loose swing, Keep the drums raw and slightly rough, like classic sampler-based production, Rap delivery is calm, flat, and understated in small vice, No singing, Relaxed spoken cadence, detached and monotone, Vocals are velry heavily buried in the mix — low volume, slightly filtered and blended into the instrumental like another sample layer, The beat and loops remain dominant, Mix aesthetic: strong vinyl character with noticeable record crackle, dust, and tape saturation, Slightly lo-fi, warm analog tone, Overall feel: dusty underground loop-based hip-hop with constantly shifting samples and deeply submerged, monotone rap

2:25

Weird Addiction (Remix)

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