New Songs

Gula / Majin Boo (Dragon Ball Z)

Inside My Head

dream pop

dream pop, trip-hop, 72 BPM, minor key progression, warped analog synths, detuned pad clusters, phase-shifted oscillators, reversed tones, pulsing sub-bass, distorted radio chatter, static sweeps, Doppler sirens, metallic drones, bowed vibraphone, clean guitar harmonics, tape saturation, plate reverb, sudden silence, uncanny accusation

To' Perdió

Género: Electro latino / reggaetón electrónico Sonido: mezcla de fiesta playera

Género: Electro latino / reggaetón electrónico Sonido: mezcla de fiesta playera, club nocturno y pop urbano comercial Tempo: rápido-medio (105–112 BPM) Ambiente: energético, sensual y eufórico Instrumental: beat electrónico con dembow latino sintetizadores brillantes y drops tipo festival bajo marcado y pulsante efectos vocales con reverb y chops electrónicos build-ups antes del coro y drop bailable, Voz: voz principal melódica y pegadiza coros grupales en el estribillo ad-libs electrónicos (“eh-eh”, “yeah”, “dale”) posible autotune suave para efecto moderno Estructura típica: intro → verso → pre-coro → coro explosivo → drop electrónico → segundo verso → puente → último coro grande.

Close to me (Près de moi) (v5.5 cover)

French slowcore-pop

French slowcore-pop, minimalist synth production, deep baritone male vocals front and center, dry vocals, no reverb wash, gentle synth pads, delicate lo-fi post-punk bass pulse, brushed drum machine, heartbreaking intimacy, modern melancholy, fragile romantic tension, beautiful sadness, dark blue neon atmosphere, understated and sophisticated, late-night urban solitude

Dangerous (Remix)

R&B alternativo Trap suave Pop urbano melancólico Con una atmósfera oscura y elegante

R&B alternativo Trap suave Pop urbano melancólico Con una atmósfera oscura y elegante, tipo madrugada. Beat lento: 70–85 BPM Bajo profundo tipo 808 Sintetizadores ambientales Reverb amplia en la voz Hi-hats suaves y espacios vacíos Coros susurrados en inglés detrás del coro principal, Cómo cantar el coro El coro funciona mejor: suave al inicio (“I’m dangerous…”) luego más emocional en “si te quedas puedes salir herido” y casi susurrado en “far from me”. Female vocals

Crabs On Me

R&B with dubstep drops and light guitar strums

R&B with dubstep drops and light guitar strums, mid-tempo with swung drums and elastic sub hits; verse rides sparse guitar, warm bass, and intimate close-mic vocals, pre-chorus adds filtered risers and stacked harmonies, chorus opens with chopped vocal hooks and a heavier wobble bass pulse. Bridge strips to guitar and breathy ad-libs, then final chorus lands with fuller bass, handclaps, and playful gang echoes. Bright, glossy, intimate mix with crisp low end and airy top., dubstep, light, low

Can't It Wait ?

dark country

dark country, southern country, bluegrass, banjo rolls, dueling harmonicas, slide electric guitar, twin lead guitars, live room drums, walking bassline, male drawl vocals, call and response, 70s analog warmth, tape saturation, spring reverb, mid tempo 92 BPM, verse build chorus lift, breakdown to final chorus, haunted redemption

Shadows of the Deep

Progressive industrial fantasy metal

Progressive industrial fantasy metal, deep male baritone vocal, mechanical percussion, ancient dwarven ruin atmosphere, stealth tension, heavy rhythmic guitars, metallic echoes, cinematic dungeon crawl, dark exploration energy, autonomous construct ambience, no screaming, no growls, mysterious underground machinery, constant tension, adventure metal, atmospheric progressive metal, looming danger, retro fantasy adventure energy

Last Cup at Dawn

Lo-fi hip-hop / chillhop with swung dusty drums

Lo-fi hip-hop / chillhop with swung dusty drums, 120 BPM head-nod groove, woozy jazz chords, chopped vinyl crackle, and deep melodic bass; verse stays intimate with sparse Rhodes and brushed percussion, pre-chorus opens with glitched hats and reversed swells, chorus widens into layered harmonies and a warped synth hook. Breathy close-mic vocals with soft doubles, delay throws on key lines, and a hazy mix that feels warm, cinematic, and slightly broken, metal, bassline, space rock, noise, lo-fi, world, neo-psychedelic, soundtrack, theme, avant-garde, industrial, electronica, deep, mathcore, hip-hop

Where the blue begins

Emotional J-pop ballad with dynamic tempo shifts: Verse 92

Emotional J-pop ballad with dynamic tempo shifts: Verse 92, Pre 100, Chorus 108–110. Grand piano leads with a warm, resonant body, slightly bouncing phrasing, and delicate ornamental notes. Piano rhythm breathes with a subtle forward push in the chorus and gentle rubato in verses. Sweet female voice with soft, sensual tone, emotional restraint, and slight delayed phrasing. Vocal edges slightly breathy, smooth mid-high presence, minimal vibrato, intimate delivery. Melodic phrasing includes subtle hesitations before key words to create emotional tension. Drums minimal in verses; light pop-rock groove in the chorus with soft snare and airy kick. Bass is warm, melodic, supporting the harmonic lift in each chorus. Atmosphere: night turning into pale blue morning, cinematic, intimate, quietly emotional. Lyrics theme: “Where the Blue Begins” — finding light at the edge of night and memory. Structure: Verse–Pre–Chorus–Verse–Pre–Chorus–Bridge–Final Chorus.

Blinding Lights Take Me High

synth phonk

synth phonk

Aquel Baile

Género: Reggaetón pop / pop urbano Tempo: medio (95–102 BPM) Mood: romántico

Género: Reggaetón pop / pop urbano Tempo: medio (95–102 BPM) Mood: romántico, nocturno, coqueto y bailable Instrumental: beat de reggaetón suave y limpio synths brillantes y atmosféricos bajo profundo pero ligero palmas y percusión minimalista guitarras tropicales o eléctricas suaves en el puente Voz: femenina dulce y aireada, con partes habladas/cantadas y armonías en el coro

Say It Again

Psychedelic rock with a swaying mid-tempo groove

Psychedelic rock with a swaying mid-tempo groove, tom-heavy drums, fuzzy bass, and swirling tremolo guitars; verse floats in a hazy pocket, pre-chorus narrows to handclaps and a filtered drone, chorus opens wide with stacked harmonies and a chantable hook. Lead vocal is close-mic and slightly warped, with double-tracked phrases, slapback throws, and whispered ad-libs. Spiral risers, reversed cymbals, tape flutter, and stereo phaser sweeps bridge sections. Mix is warm, wide, and colorful with a dusty analog glow.

Champagne Regrets

mid tempo trap banger catchy melodic hook confident rap delivery anthemic chorus 808 kicks bright synth pads ovo sound triumphant yet vulnerable tone stadium ready motivational lyrics hip hop

mid tempo trap banger catchy melodic hook confident rap delivery anthemic chorus 808 kicks bright synth pads ovo sound triumphant yet vulnerable tone stadium ready motivational lyrics hip hop, R&B, pop, trap influence noah 40 production crisp hi hats toronto sound 2024 commercial hip hop radio ready

Ascent to bliss

A haunting

A haunting, trippy soundscape built around a slow minor key progression with warped analog synths and detuned pads that drift in and out of phase, Layers of eerie UFO-like oscillations, reversed tones, and pulsing sub-bass hum beneath distorted radio chatter and static sweeps, Alien resonance builds through Doppler-shifting sirens, bending metallic drones, and spectral choral whispers that flicker like lost transmissions, The pacing is hypnotic — rising tension, descending melody, sudden silence, then cosmic noise returning in waves, Everything feels unearthly, suspended between dream and abduction

Golden Drifts

1960s sunshine pop / psychedelic folk-rock inspired by California Dreamin’

1960s sunshine pop / psychedelic folk-rock inspired by California Dreamin’, Warm analog tape sound, rich vocal harmonies, jangly acoustic and 12-string guitars, glowing Hammond organ, tambourine groove, melodic surf-style electric guitar, Starts with rainy acoustic intro, slowly building into nostalgic west coast freedom anthem, Emotional, cinematic, dreamy, melancholic yet hopeful, Huge catchy chorus, timeless melody, expressive vintage guitar solo, warm reverb, ocean-wave outro

Dopamine

A dirty groove metal track built on blown-out bass riffs and trashy

A dirty groove metal track built on blown-out bass riffs and trashy, overdriven guitars, The drums pound with loose, unfiltered energy, blending live hits with occasional metallic samples that sound more improvised than programmed, The production is raw and unpolished, thick with feedback, distortion, and tape hiss, A female vocalist with a fierce, sneering rock growl delivers the lyrics with reckless attitude and a wild sense of command, Her voice cuts through the noisy mix with a mix of grit and swagger, The tempo sits in a grinding mid-range, with riffs that loop and lurch in hypnotic cycles but never feel mechanical, Snippets of warped samples and shouted background noises drop in unpredictably, adding a sense of chaos and danger, The atmosphere is gritty, sleazy, and primal—less about control and more about raw, physical energy pulsing through every sound, channeling a dirty underground vibe

Eyes Don´t Lie (Don´t Speak)

Electro soul I Alternative hi hop I Trap I Emotive Groove I Ambient Layers

Electro soul I Alternative hi hop I Trap I Emotive Groove I Ambient Layers

Give Me

Hyperpop and glitch-pop track at 128 BPM in the key of F major. The arrangement features a heavily processed

Hyperpop and glitch-pop track at 128 BPM in the key of F major. The arrangement features a heavily processed, high-pitched female vocal with formant shifting and pitch correction. Instrumentation consists of a distorted, square-wave synth bass, bright digital pads, and a percussion section characterized by metallic foley hits, woodblocks, and sharp electronic snares. The track utilizes frequent glitch effects, including micro-edits, tape stops, and stuttering vocal chops. A syncopated synth lead plays staccato melodies, while the drums alternate between a standard backbeat and rapid-fire trap-style hi-hat rolls. The production is characterized by extreme dynamic shifts and high-frequency digital textures.

tan x black

afrobeat math rock

afrobeat math rock, percussive, syncopated