New Songs

The Wolf-Flow

Любовь, как чудо

male vocals

male vocals, pop

First Light (Instrumental)

dark neoclassical ambient

dark neoclassical ambient, sacred procession, 70 BPM, deep D minor, cathedral bells motif, dark cathedral organ, deep drone bass, analog pads, bowed low strings, ceremonial percussion, layered women choir, Gregorian male drones, distant female wails, massive stone acoustics, huge cathedral reverb, analog warmth, progressive layering, solemn liturgical, hypnotic transcendence

Faded Photo

Aggressive J-pop with new jack swing bounce and rock guitars

Aggressive J-pop with new jack swing bounce and rock guitars, mid-160s feel, syncopated drums and punchy palm-muted riffs; verse rides tight staccato bass and clipped handclaps, pre-chorus opens with rising synth stacks and crowd shouts, chorus slams full-band power chords with glossy gang vocals and octave doubles. Add reversed cymbal swells, tape-stop snaps, and vocal ad-lib pings between lines. Bright, hard, and polished with a sharp arena bite., new jack swing, j-pop, rock

BREAK THE SYSTEM

trash metal

trash metal, hip hop, trap, 92 BPM, downtuned palm-muted guitars, distorted 808 slides, double-kick syncopation, halftime snare, ritual toms, gang chants, scraped cymbal accents, sidechained sub-bass, industrial drum bus, clipped kick transients, modal guitar riffs, breakdown drops, verse build, defiant catharsis

Grenadine Daydream (//opcode remix)

Binaural

Binaural, high-fidelity indie folk-pop EDM with a single drip/hum/click motif woven through the mix. Virtuoso cello leads, cello fills, fingerpicked acoustic guitar, glossy synth pads, and a massive emotional bass drop. Glitch edits, vocal chops, layered male-female duet, and dense harmonic backups create a sophisticated, remastered top-40 anthem.

ALIEN

Hard rock with heavy metal influences. Distorted electric guitars play a synchronized

Hard rock with heavy metal influences. Distorted electric guitars play a synchronized, palm-muted riff in E minor at 140 BPM. The drum kit features a prominent snare with a short decay and a double-kick pedal pattern during transitions. A thick, overdriven bass guitar follows the guitar's rhythmic pattern exactly. The track is characterized by a repetitive four-bar riff that alternates between chugging eighth notes and brief melodic flourishes on the higher strings. The production is dry with minimal reverb, emphasizing the punch of the kick drum and the grit of the guitar distortion. The arrangement maintains a consistent intensity throughout without dynamic shifts.

12 - Intimate Duet

Indie folk acoustic duet featuring a single steel‑string guitar and layered male and female wordless vocals. Rhythmic open‑chord strumming with subtle percussive palm mutes drives a gentle mid‑tempo groove at 112 BPM in 4/4. Close‑mic’d

Indie folk acoustic duet featuring a single steel‑string guitar and layered male and female wordless vocals. Rhythmic open‑chord strumming with subtle percussive palm mutes drives a gentle mid‑tempo groove at 112 BPM in 4/4. Close‑mic’d, warm, intimate production highlights a soft, breathy female lead in the mid‑to‑high register, with airy humming and open‑vowel phrases weaving around a supportive mid‑range baritone. Sparse arrangement, low ambience, and minimal effects create a cozy, living‑room performance feel with delicate vocal harmonies and smooth dynamic swells in the chorus.

,,Eternal Call!"

Contemporary / melodic pop-rock ballad / Single chanson ballad

Contemporary / melodic pop-rock ballad / Single chanson ballad, AOR chanson ballad Tempo: ~92-96 bpm An emotional, spiritually charged ballad with soaring male vocals, husky yet atmospheric, with notes of classical music. The mid-song transitions to an epic orchestral finale with lush strings, classical percussion, and sweeping synth textures. A melancholic, hopeless, Finnish melodic atmosphere creates powerful climaxes. The lyrics are written from the first to the last second, without added lyrics or music, without any skipping or skipping, without unnecessary interference or noise. A cinematic version for films and TV series. Create an incredible, grandiose, and emotional superhit/soundtrack!

Cathedral Fire

Epic orchestral-choral opera fusion with sacred cinematic sweep

Epic orchestral-choral opera fusion with sacred cinematic sweep, slow tension-rich harmonic motion, baritone-led intimate verses, tenor-led climactic lifts, grand strings and brass choirs, concert piano arpeggios, deep pedal tones, cathedral reverb, distant choral replies, organ-like pads, articulate rap phrasing, wide luminous mix, soaring, classical, dynamics, orchestral, choral, low, steady, rich, deep, warm, drama, rap, dramatic, slow, opera

The Music We Played

pop rock

pop rock, drum and bass, male lead vocal, stacked harmonies, barroom ambience, piano ostinato, electric guitar riffs, syncopated bassline, live drum kit, punchy snare, crowd noise, parallel compression, room mic reverb, call and response chorus, explosive chorus lift, anthemic, 174 BPM, bittersweet defiance, cello, bass violin, bodhran, , smooth, drum and bass pan flute India melody, oboe

911

nu-metal groove

nu-metal groove, 9-piece, Russian vocals; tribal+DJ intro, screamed verse, clean chorus + gang shouts, growled breakdown, chaos outro; drums — double kick, Zildjian China, tribal toms, blasts; 5-string bass low-B thump, slap-pop, grit; 7-string drop-A palm-mute chugs, pinch harmonics; lead — sweeps, tapping, dive bombs; two percussionists on kegs with bats, wide; DJ — scratches, sample stabs, FX; vocals — cracked screams, clean baritone chorus, gang backs, growled chant, whispered outro; raw timing, real amps, midrange mix; negative: no robotic quantization, no plastic drums, no pitch correction, no pop sheen, no over-compression, no EDM sidechain, no autotune

Ode of the Exes

warm and friendly indie roots-rock with youthful nostalgia

warm and friendly indie roots-rock with youthful nostalgia, emotionally sincere and unpretentious, like a soundtrack to a coming-of-age film at the end of summer, folk-punk energy mixed with heartland alternative rock, organic live-band chemistry heard in every chord progression, 70s americana warmth filtered through early 2000s indie melancholy, driving brushed drums, loose acoustic guitar, ringing tremolo electrics, distant gang vocals, bittersweet baritone lead vocal with cracked emotional delivery, wistful and windswept, reflective but hopeful, evokes cold cities remembering warm summers, dynamic emotional swell into cathartic chorus, raw room ambience, tape saturation, earnest and cinematic without sounding polished, emotionally restless, open-road atmosphere, late-night highway feeling, vulnerable and nostalgic with conviction

County Line Memory

Gothic trap-country with female vocals

Gothic trap-country with female vocals, 92 BPM, twangy detuned acoustic guitar over booming low-end and sparse snares, eerie church-organ pads; verses ride a tight rap pocket, pre-chorus strips to handclaps and bass, chorus opens wide with stacked harmonies and distant choir ahhs. Stomp layers, barbed guitar fills, reverse swells into each hook, final chorus turns half-time and distorted. Crisp, heavy, intimate mix with a southern edge., soft, soul, low, dirty south rap, soulful, acoustic, hip hop, gradual, rap, female vocals, country

А ти все ближче

Genre: contemporary pop ballad

Genre: contemporary pop ballad, modern R&B, hip-hop beat, EDM-style drums Mood/Tempo: melancholic, deeply emotional, anthemic, melodic, sincere, slow tempo Instrumentation: minimalist arrangement, modern drum loop, atmospheric synths, saxophone, Vocal Style: gentle sincerity, vulnerable male vocals

タキプシキアに、ようこそ

Experimental art-pop with skittering glitch percussion

Experimental art-pop with skittering glitch percussion, off-kilter syncopation, and a restless tempo that keeps shifting under the vocal; verse stays sparse with dry kick, clipped bass, and fractured synth blips, pre-chorus tightens into rising pulses, chorus opens into layered unison chants and warped harmony stacks; lead vocal is close-mic, nervous, and lightly doubled, with whispered echoes and scattered ad-lib throws; ear candy includes tape-stutter cuts, reversed swells, and tiny digital pops between phrases; mix is sharp, intimate, and slightly clinical

Stereotype (L)

Electropop with heavy synthwave and dance-pop influences. The track features a prominent four-on-the-floor kick drum

Electropop with heavy synthwave and dance-pop influences. The track features a prominent four-on-the-floor kick drum, a driving synth bassline with a 16th-note rhythmic pulse, and bright, layered sawtooth synthesizers. Female vocals are processed with light pitch correction and occasional doubling. A recurring melodic motif is played on a high-pitched, bell-like synth lead. The arrangement includes filtered synth sweeps, gated reverb on the snare, and syncopated electronic percussion fills. The tempo is 124 BPM in the key of G minor.

Night & Day

modern noir electronica

modern noir electronica, downtempo, jazz-inflected (impressionistic) harmony

Powerful I Am by Cocoa Jackson Brown

uplifting

uplifting, R&B , Strings lo-fi gospel inspiration deep Bass , male vocals, emotional, powerful, piano, orchestral

Uma onça como mãe

Female vocals

Female vocals