Get Over It (Ambient D&B)
Nu-disco and house track featuring sampled female spoken word and soulful vocal hooks. The arrangement is built around a syncopated slap bassline and a steady 124 BPM four-on-the-floor kick drum. A bright, rhythmic electric guitar plays muted 16th-note scratches and occasional funk chords. Synthesizers include a filtered sawtooth lead that plays a repetitive melodic motif and shimmering polyphonic pads that swell during transitions. The vocal production uses heavy delay and rhythmic chopping, particularly on the phrase later on. A clean, high-register female vocal provides melodic hooks with melismatic runs. The percussion features crisp claps on beats 2 and 4, with a bright open hi-hat on the off-beats. The track is in the key of G minor.
Get Over It (Ambient D&B)
Nu-disco and house track featuring sampled female spoken word and soulful vocal hooks. The arrangement is built around a syncopated slap bassline and a steady 124 BPM four-on-the-floor kick drum. A bright, rhythmic electric guitar plays muted 16th-note scratches and occasional funk chords. Synthesizers include a filtered sawtooth lead that plays a repetitive melodic motif and shimmering polyphonic pads that swell during transitions. The vocal production uses heavy delay and rhythmic chopping, particularly on the phrase later on. A clean, high-register female vocal provides melodic hooks with melismatic runs. The percussion features crisp claps on beats 2 and 4, with a bright open hi-hat on the off-beats. The track is in the key of G minor.
Lyrics
[slap bass, muted funk guitar, 124 BPM house beat]
[female spoken word with heavy delay]
Want a cup of tea, Mum?
Not now, Eileen, later on, later on, later on, later on, later on, later on....
[Verse 1]
[filtered synth lead enters]
Want a cup of tea, Mum?
Want a cup of tea, Mum?
Want a cup of tea, Mum?
[Chorus]
[full house beat, slap bass, rhythmic guitar]
[soulful female vocals]
I don't interfere with their business at all, I think to myself, well, they get over their troubles better without me.
But don't that bring some of the troubles to you?
They do, they do, but I just, just take no notice of them and just put them right and think to myself, well, you'll get over it.
They'll get over it [falsetto vocal run]
They'll get over it [vocal ad-libs]
[Verse 2]
My son-in-laws come in and tell me some troubles about them, what do you think of Violet today?
They start on me, I say, oh John, you'll get over it.
I say, yes, but Mum, you don't know what she is when she starts, I say, oh you'll get over it, you'll be alright, alright, alright, alright, alright, alright.
[Bridge]
[drums drop out, synth pads swell]
I could never afford to go to doctors, so if they're not well, give them a dose of castor oil or something like that and they'll get over it, they'll get over it.
[Chorus]
[beat returns, high energy]
They'll get over it
Want a cup of tea, Mum?
Want a cup of tea, Mum?
They'll get over it
[Outro]
[vocal chopping, rhythmic synth lead]
They'll get over it
They'll get over it