Tuesday Girl- Xander Voss
west coast hip hop romantic mid tempo smooth bass 86 bpm a minor hip hop, gangsta rap, G-funk, West Coast rap 2001 smooth production meets early Hip Hop, Rap, Alternative Hip Hop, Pop Rap, Experimental guitar sample warm one mc vulnerable but controlled pre hook melodic intimate
CAMPS·3:17
3:17
Tuesday Girl- Xander Voss
west coast hip hop romantic mid tempo smooth bass 86 bpm a minor hip hop, gangsta rap, G-funk, West Coast rap 2001 smooth production meets early Hip Hop, Rap, Alternative Hip Hop, Pop Rap, Experimental guitar sample warm one mc vulnerable but controlled pre hook melodic intimate
Creator: CAMPSRelease Date: May 17, 2026
Lyrics
[ VERSE 1 ]
She showed up on a Tuesday with no prior notice,
the kind of woman that recalibrates your focus,
without trying — that's the thing about the ones who do it,
they ain't thinking about the damage while they're moving through it,
she just walked in the room talking to somebody else,
and I was somewhere in the background losing myself,
I don't do this usually — I stay composed,
Inglewood n*gga, keep the feelings paused and closed,
but something about her particular brand of ease,
the way she laughed, the way she did exactly as she pleased,
without asking for permission or approval or the nod,
hit me somewhere I don't usually let get soft.
[ PRE-HOOK ]
I don't know how to say this right,
never been the one to lead with what I need at night,
but something about Tuesday got me reconsidering.
[ HOOK ]
Tuesday girl, you got no idea,
what you did just by appearing,
Tuesday girl, I keep it closed,
but you found the lock that nobody else knows,
Tuesday girl, I don't know how to say,
that I been thinking about that Tuesday every day.
[ VERSE 2 ]
I drove home slower than I needed to that night,
replaying every angle of the room, every light,
every second of the hour and a half we overlapped,
in the same space — which ain't a lot but for a n*gga that's,
already more than usual, more than I give,
to the possibility that someone else could live,
in my orbit long enough to matter — I move quick,
I move clean, I move without the kind of stick,
that feelings leave when you let them settle in,
but Tuesday girl got underneath the discipline,
without even knowing she was doing anything,
just laughed at something and I felt the whole thing,
shift inside my chest like a lock that clicks,
and I ain't been the same since all of this.
[ PRE-HOOK ]
I don't know how to say this right,
never been the one to lead with what I need at night,
but something about Tuesday got me reconsidering.
[ HOOK ]
Tuesday girl, you got no idea,
what you did just by appearing,
Tuesday girl, I keep it closed,
but you found the lock that nobody else knows,
Tuesday girl, I don't know how to say,
that I been thinking about that Tuesday every day.
[ BRIDGE — Solo el bajo. La voz casi hablada. ]
I been on this block since I was nine years old.
I know every face, every car, every sound.
I don't get caught off guard.
Tuesday girl caught me off guard.
That's the whole thing.
[ HOOK — Out ]
Tuesday girl, you got no idea,
Tuesday girl, I keep it closed,
but you found the lock that nobody else knows,
been thinking about that Tuesday every day.
She showed up on a Tuesday with no prior notice,
the kind of woman that recalibrates your focus,
without trying — that's the thing about the ones who do it,
they ain't thinking about the damage while they're moving through it,
she just walked in the room talking to somebody else,
and I was somewhere in the background losing myself,
I don't do this usually — I stay composed,
Inglewood n*gga, keep the feelings paused and closed,
but something about her particular brand of ease,
the way she laughed, the way she did exactly as she pleased,
without asking for permission or approval or the nod,
hit me somewhere I don't usually let get soft.
[ PRE-HOOK ]
I don't know how to say this right,
never been the one to lead with what I need at night,
but something about Tuesday got me reconsidering.
[ HOOK ]
Tuesday girl, you got no idea,
what you did just by appearing,
Tuesday girl, I keep it closed,
but you found the lock that nobody else knows,
Tuesday girl, I don't know how to say,
that I been thinking about that Tuesday every day.
[ VERSE 2 ]
I drove home slower than I needed to that night,
replaying every angle of the room, every light,
every second of the hour and a half we overlapped,
in the same space — which ain't a lot but for a n*gga that's,
already more than usual, more than I give,
to the possibility that someone else could live,
in my orbit long enough to matter — I move quick,
I move clean, I move without the kind of stick,
that feelings leave when you let them settle in,
but Tuesday girl got underneath the discipline,
without even knowing she was doing anything,
just laughed at something and I felt the whole thing,
shift inside my chest like a lock that clicks,
and I ain't been the same since all of this.
[ PRE-HOOK ]
I don't know how to say this right,
never been the one to lead with what I need at night,
but something about Tuesday got me reconsidering.
[ HOOK ]
Tuesday girl, you got no idea,
what you did just by appearing,
Tuesday girl, I keep it closed,
but you found the lock that nobody else knows,
Tuesday girl, I don't know how to say,
that I been thinking about that Tuesday every day.
[ BRIDGE — Solo el bajo. La voz casi hablada. ]
I been on this block since I was nine years old.
I know every face, every car, every sound.
I don't get caught off guard.
Tuesday girl caught me off guard.
That's the whole thing.
[ HOOK — Out ]
Tuesday girl, you got no idea,
Tuesday girl, I keep it closed,
but you found the lock that nobody else knows,
been thinking about that Tuesday every day.