Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

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Dream

Smooth Jazz

Smooth Jazz, Chill Jazz, Female Vocals, Soft Piano, Upright Bass, Brushed Drums, Warm Atmosphere, Intimate, Relaxing, Mid-tempo, Cozy

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Maybe Tomorrow

light jazz

light jazz, pulsating, finger picking acoustic guitar, Claaical piano, male voice

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Good Man Stays

Smoky slow jazz with brushed drums

Smoky slow jazz with brushed drums, upright bass, and velvet Rhodes chords; verse glides in close-mic with sparse piano turns, pre-chorus opens with walking bass and brushed cymbal lift, chorus blooms with stacked low harmonies and a sly horn answer. Satin vocal doubles, breathy ad-libs, and short delay throws on the hook; tape hiss, finger snaps, and a muted trumpet tag between lines. Dark, intimate, warm, and polished, jazz

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Сон

Smooth Jazz

Smooth Jazz, Chill Jazz, Female Vocals, Soft Piano, Upright Bass, Brushed Drums, Warm Atmosphere, Intimate, Relaxing, Mid-tempo, Cozy

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Northwest wind (Remix)

Smooth jazz fusion with bossa nova influences. The arrangement features a lead soprano saxophone playing melodic lines with frequent vibrato and grace notes. A clean-toned electric guitar provides rhythmic comping and occasional melodic counterpoint. The rhythm section consists of an upright bass playing walking lines and syncopated patterns, accompanied by a drum kit using brushes on the snare and a steady ride cymbal pattern. A grand piano enters for harmonic support and short solo fills. The tempo is 120 BPM in 4/4 time. The harmonic structure utilizes extended chords including major 7ths, minor 9ths, and dominant 13ths. The production is clean with light plate reverb on the saxophone and piano.

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GRÖNLAND - Werbespot vom FEINSTEN - EXTO

Werbespot Nu-Coolness gepaart mit der souveränsten Nachrichtensprecherin Grönlands. Female Vocals Radio Imitation old-school radio vintage lo-fi mit easy listening Fahrstuhlmusik so Gedudel halt jazzig im Hintergrund

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Blue-Green Buds Awake-Remix

UK Garage fused with Trip Hop and cinematic orchestral

UK Garage fused with Trip Hop and cinematic orchestral, tight and punchy groove with sharp transient attack, rapid melodic bass, cutting guitar, expressive sax, piano, soft cool melodic vocal with dreamy shoegaze texture, deep stereo reverb and floating delay, Wide stereo backing vocals supporting the lead, verses delivered in a slow, grand orchestral textures with soaring violins, majestic horns and a mournful cello, melancholic bluesy melody, rich upright bass with warm woody tone, polished jazz percussion with soft brushes and crisp rhythmic definition, ethereal translucent synth pads and fluid textures, subtle ambient details, urban and nocturnal atmosphere, elegant and sonically opulent, Mix:Crystal-clear hi-fi clarity, clear separation, ultra wide stereo, expansive, tight punchy low-end with clean sub-bass definition, balanced mastering, polished and loud, Immersive 3D soundstage with clear stereo spread and natural concert-hall reverb

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Up in Charms

Indie rock fused with garage rock

Indie rock fused with garage rock, funk rock, and subtle jazz-rock energy. Prominent overdriven electric guitar plays syncopated power chord riffs with rhythmic muting and groove-heavy accents. A second guitar uses clean jangly tones mixed with bluesy/jazzy melodic fills and loose improvisational phrasing. Warm rounded bass locks tightly into the groove with occasional funky movement and bounce. Drums maintain a steady live-band pocket with crisp snare, driving kick, consistent eighth-note hi-hats, and energetic crash accents. Slight swing influence in the rhythm section gives the song a human jazz-club feel beneath the raw garage rock texture. Chant-like choir vocals during the chorus create a cinematic crowd atmosphere. Production stays raw, energetic, and slightly unpolished like a live band performing in a packed underground venue. Playful mythic energy, rebellious but uplifting, as if Rhythm walks into conflict and turns it into a dance floor. 120 BPM, 4/4 time signature.

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Я ХОТЕЛА ЛЕТАТЬ

orchestral

orchestral, future heavy bass and drums world, haunted orchestral torch song, lone muted trumpet, dramatic tempo, jazz, slow, dramatic, raw, female vocals, low, low register, dark sweeping strings, ballad, melancholic repeating grand piano motif, dee

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Sonhando

Slow Bossa Nova

Slow Bossa Nova, Slow Brazilian Jazz, Male Portuguese vocals, saxophone

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TBD

bossa nova

bossa nova, soft jazz pop, singer-songwriter

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白痕 White Scars

modern fusion of Chillhop

modern fusion of Chillhop, Neo-Soul, and Nu-Jazz,Cinematic Trap Avant-garde Pop Music[nZk]. Anime Semi-Melody Hip Hop Ending Theme,92 BPM, lo-fi hip-hop electronic drum beat with subtle vinyl crackle and a swinging rhythm. Deep, side-chained synth sub-bass creates a pumping effect synchronized with a punchy, low-end kick drum and a crisp side-stick snare. Baritone voice, Mandarin, modern urban R&B style. A deep baritone voice with an intimate, close-up feel. A languid rhythm, semi-rap melodic rap, with a delicate, husky vocal quality and natural breathiness.Smooth rhyming, catchy vocal transitions, controlled falsetto, dual-track recording. Ethereal, neon-lit analog synth pads swell in the background to build a melancholic, lonely urban midnight atmosphere. Music structure features a clear contrast between a sparse, intimate verse and a lush, layered chorus , moving towards a smooth, delayed fade-out.

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Ein Morgen ohne Fernseher und Nachrichten

Jazz-pop with brushed swing

Jazz-pop with brushed swing, lilting mid-tempo groove, brushed drums and upright bass under piano, clarinet, and string quartet touches; verse stays intimate and conversational, pre-chorus opens with walking bass and light vocal doubles, chorus blooms with warm harmonies and a short chantable anchor; bridge drops to brushed drums, cello, and close-mic lead before the final chorus returns with fuller strings, airy trumpet lines, and gentle ad-lib echoes, Crisp, elegant, and human-centered, with a polished but cozy mix, swing, jazz, pop

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Ikadayo Kokodayo

j-pop

j-pop, anime opening pop, city pop groove, jazzy pop harmony, 92 BPM, breathy close-mic vocals, stacked unison chorus, nylon guitar comping, Rhodes electric piano, muted bass guitar, brushed snare, tambourine accents, tape saturation, spring reverb, plate reverb, nostalgic warmth, bittersweet farewell, singalong uplift

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Unfinished Setlist KOBE 1995 (Remastered x2) Ver2.1

Cinematic Soul Blues "Begins with lonely saxophone

Cinematic Soul Blues "Begins with lonely saxophone, evolving into grand orchestral jazz" "Heartbreaking yet hopeful" Powerful female vocal Raspy male vocal Duet Emotional climax Orchestral arrangement Grand Piano Slow Ballad Key Change Dynamic BPM 60 Japanese Lyrics

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Сон во сне (Cover)

trip hop

trip hop, jazz, rave, bass

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Lach doch, Kind

Traditional Appalachian bluegrass fused with electro swing and vintage jazz comedy aesthetics. Acoustic core with banjo

Traditional Appalachian bluegrass fused with electro swing and vintage jazz comedy aesthetics. Acoustic core with banjo, fiddle, upright bass and fingerpicked guitar, combined with swing-style brass sections, clarinet-like synth lines, light electronic swing drums and subtle modern pop production polish. The rhythm is bouncy, syncopated and danceable, but still organic and story-driven. Overall mood is warm, humorous and slightly theatrical, like a stylized porch performance filmed in a surreal animated world. Male lead vocal is expressive, playful and slightly overconfident in a fatherly way, leaning into comedic timing and exaggerated phrasing. Teenager adlibs and spoken parts are dry, minimal, deadpan and emotionally restrained. Emphasis on contrast between old-school Americana storytelling and modern meme-influenced humor. No live audience, no concert feel — fully studio-produced, cinematic, clean and tightly arranged with playful swing groove and crisp rhythmic articulation.

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十三姨

1930S Shanghai Shidaiqu

1930S Shanghai Shidaiqu, Old Shanghai Ballroom Jazz, Vintage Chinese Cabaret Ballad, Slow Fox Trot, Melancholic Mandarin Melody, Minor Pentatonic Scale, Old Chinese Vinyl Record Atmosphere, Upright Piano, Muted Trumpet, Soft Orchestral Strings, Brushed Jazz Drums, Contrabass, Gramophone Texture, Noir Cinema Mood, Elegant Yet Decadent, Emotional Female Vocal, Traditional Chinese Melodic Phrasing, Nostalgic And Theatrical, 1930S Chinese Popular Music Dna, Old Dance Hall Ambience.

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The President’s House (Official version)

Monumental

Monumental, slow-sculpted art-jazz suite shaped like a symphonic arc, with concert grand piano at the center, framed by velvety double bass and wide, cinematic drums that bloom from pin-drop intimacy to thunderous, architectural peaks. Woodman-style arranging emphasizes layered chamber strings, burnished low brass, and choirs treated as floating harmonic pillars, building vast harmonic cathedrals around the spoken-word narrative. Vibraphone, celeste, and bowed percussion shimmer at the edges, while modal reharmonizations, extended chords, and carefully voiced clusters create a sense of gallery-scale space and masterwork precision. The pacing is deliberate and inexorable, with recurring leitmotifs, orchestral swells, and jazz-inflected counterpoint that elevate the piece into a definitive, absolute chef d’oeuvre, resolving in a luminous, elongated coda that feels both sacred and politically haunted.

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Papierové slnko

electronic rock

electronic rock, jazz rock, 92 BPM, male baritone vocals, female response vocals, mixed choir, crunchy rhythm guitars, synth bass hooks, tom-driven breaks, handclap backbeat, call-and-response chorus, breakdown drop, tape saturation, plate reverb, sidechain compression, bittersweet hope, communal lift