Rock

Lo que ves

Studio recording of Flamenco Hard Rock Fusion

Studio recording of Flamenco Hard Rock Fusion, 120 BPM, Refined, Andalusian, Controlled, Groovy, Spanish Nylon Guitar, Expressive Rasgueos, Melodic Phrasing, Warm Distorted Electric Guitar, Tight Studio Drums, Punchy Close-Miked Drum Kit, Defined Bass, Clean Palmas (Dry, Close), Studio Recording, Dry Mix, No Reverb, No Room Ambience, Isolated Tracks, Vocal Booth Recording, Male Vocals, Clean, Slightly Raspy, Emotional, Controlled, Subtle Andalusian Accent, High Fidelity, Polished Production, Wide Stereo (Controlled), Modern Studio Sound,

二千の鼓動 (British Rock Version)

English male vocal

English male vocal, mod rock, British rock influence, dramatic rock anthem, youth identity conflict, coming-of-age, urban night atmosphere, emotionally restrained vocals, cinematic rock, melancholic and cool, sharp guitar riffs, powerful drums, serious tone, no comedy

把你寫成我-偏執

Hyper-technical Japanese math rock fused with experimental alternative rock and glitchcore elements. Highly complex

Hyper-technical Japanese math rock fused with experimental alternative rock and glitchcore elements. Highly complex, unpredictable, and rhythmically disorienting.Frequent time signature changes (5/8, 7/8, 11/8), abrupt tempo shifts, sudden full-stop silences followed by explosive re-entry.Guitars are angular and aggressive: fast tapping, dissonant arpeggios, odd-note groupings, glitch-like stutters, abrupt distortion bursts.Bass plays independently with polyrhythmic phrasing, intentionally clashing with guitar timing.Drums are hyper-precise and relentless: constant fills, ghost notes, sudden dropouts, then violent re-entry.Male vocal, unstable and erratic.Switch rapidly between whisper, spoken word, half-rapped phrases, and piercing screams.Delivery should feel mentally fragmented, like thoughts buffering, glitching, and overlapping.Controlled chaos, cognitive overload, fractured identity, mental system overheating.Sound like a brain running beyond capacity but refusing to shut down.

晴天預期

Female vocals

Female vocals, Canto-pop, Emotional Power Ballad, High-energy Pop Rock, Dramatic Strings, 4/4 Beat, Strong Melodic Hook, Staccato Phrasing, No dragging notes, 128 BPM, Emotional Build-up, Clear Vocals.

Tunel lásky

Humorný Rockabilly / Country Rock

Humorný Rockabilly / Country Rock

Ain’t fucking done

Dark Emotional Female Vocal Melodic Trap Pop Haunting And Powerful Similar Vibe To Pop

Dark Emotional Female Vocal Melodic Trap Pop Haunting And Powerful Similar Vibe To Pop, Electropop, Indie Pop, Alternative Pop Mixed With Electropop, Synthpop, Alternative Pop, Indie Pop, Pop Rock And Banks Slow Tempo Around 78 Bpm Deep Bass Echoing Piano Atmospheric Pads Reverb Vocals Cinematic Build Emotional Angry Heartbroken Cold Confidence Mood Revenge Heartbreak Transformation Becoming Numb After Pain Vocal Direction Soft Whisper In Verses Stronger Emotional Chorus Layered Harmonies Haunting Ad Libs Powerful Final Chorus

I Lost You Twice

male vocals

male vocals, alternative pop, pop rock, operatic mezzo soprano choir layering, classical bel canto inspired vocal phrasing, orchestral recitative style accents, piano, electric guitar, acoustic guitar, bass guitar, drum kit, Roland Juno 106, Moog Sub 37, string ensemble, violin, cello, choir, soft emotional vocal tone in verses, gradual intensity build, stronger projection in pre chorus, powerful controlled vocal in chorus, slight rasp for tension, layered backing vocals in hooks, dynamic contrast throughout, minimal instrumentation in bridge, semi theatrical vocal lift in bridge, fuller arrangement in final chorus, choir subtle in background, clear vocal focus, balanced mix

Miss Fortune

70s glam rock musical

70s glam rock musical, Time Warp energy, campy horror cabaret, driving piano and handclaps, sax stabs, male and female call-and-response vocals, theatrical spoken intro in deep vintage horror-host voice, 130 BPM

roadrunner

Intimate folk-rock song with a fragile

Intimate folk-rock song with a fragile, weathered lead vocal, acoustic guitar strumming, loose electric guitar accents, warm harmonica, simple steady and upbeatdrums, and a rustic rock atmosphere. LRaw emotional delivery, imperfect human feel, warm analog production, bittersweet melody, understated chorus, reflective and sincere

The Keeper of the Light

Country Rock

Country Rock, 92 BPM. Matches the acoustic guitar, pedal steel, and warm baritone vocal

『終わりなき心の旅』　４

優しく囁く声で

優しく囁く声で, Dramatic Power Duo Grand Piano, Soul Metal Rock, Vocal Style: No Turbidity, Japanese Delicate, Sweet, Gentle, Deep, Expressive Whisper, Chorus Style: No Turbidity, Capella Sweet Whisper, Beat Style: No Turbidity Dance Beat, Melody Style: No Turbidity, Wide Stereo Clean Hi-Fi Imaging, Soul Folk Rock, Cinematic Orchestral Metal Rock, Duo Grand Piano.

Still My Home

style prompt emotional cinematic rock ballad with metal influence male vocal deep raspy voice inspired by Pop Rock

style prompt emotional cinematic rock ballad with metal influence male vocal deep raspy voice inspired by Pop Rock, Soft Rock, Adult Contemporary emotional storytelling and 80s rock strong narrative lyrics about immigration and family bosnia to denmark journey powerful drums electric guitar build ups warm synth layers nostalgic and uplifting huge anthemic chorus gradual emotional crescendo stadium rock feel tempo 80 90 bpm cinematic intro soft piano atmospheric pads explosive chorus with full band emotional bridge layered harmonies

Brainstorming

, Minimal, bass, rock flare house, deep bass, glitch beat drum.,fast orchestral strings, woman vocie echoing (Brainstorming ) deep male vocals , phonk, energetic, experimental

Crush on Bartender

High-energy pop-rock with frantic

High-energy pop-rock with frantic, punchy drum beats at a breakneck tempo, razor-tight kick-snare drive, and overdriven electric guitar riffs with palm-muted chugs and bright power chords. Female lead vocal with clear American-accent phrasing, stacked harmonies, crisp room reverb, and a dense, fast-cut arrangement that feels breathless and explosive.

Rainy Day (Instrumental)

Indie-rock

Indie-rock, adult alternative, experimental, melancholic, bittersweet, moody atmospheric indie, lo-fi textures, introspective late-night vibe, jangly guitars, warm analog synths, sparse piano, shuffling brushed drums, soft bass pulsations, distant shimmering reverb, tape hiss warmth

lynyrd Scorpionard

Pop Dance with Pop country C major chord C → G → Am → F and Yamaha DX7)

Pop Dance with Pop country C major chord C → G → Am → F and Yamaha DX7), and polyphonic analog sounds Scorps-meets-Skynyrd guitar mood: clean electric guitar opens with syncopated palm-muted riffs, then bright strummed chords. Soaring lead guitar with vibrato and slides, synthesizers, pedal steel gliding above, driving eighth-note bass, rock drums with hi-hat openings and snare rolls, plus bright acoustic piano stabs and fills.

Holy Ground

Albanian pop rock answer song

Albanian pop rock answer song, 120 BPM, G major, cinematic Balkan night-drive energy, bitter but elegant, not ballad, not overdramatic. Female lead vocal, clear melodic alto, cool confidence, restrained bite, close controlled verses, wider emotional chorus. Clean electric guitar palm-muted eighth notes in verses, occasional arpeggiated chords, bright picked bassline, crisp snare, tight hi-hat groove. Choruses expand with distorted power chords, stronger bass drive, open road atmosphere. Bridge features melodic overdriven electric guitar solo with vibrato and slides. Final chorus wide, powerful, emotional but controlled. Polished organic band mix, light reverb, no modern pop gloss. LYRIC META TAGS Use a calm, almost dismissive delivery in the intro. Verses should feel close-mic and controlled, not wounded. Pre-choruses rise with quiet pressure. Choruses need wider vowels, stronger breath, and a forward-driving road feel. Bridge should drop colder before the guitar solo answers. Final

Je suis pris dans l'addiction

male voice

male voice, reggae funk, funk, surf rock, star train, disco funk, sunny, kawaii future bass, mastering, flow, bluesy guitar

จุดหมายที่ปลายทาง

90s alternative rock

90s alternative rock, grunge ballad, hip-hop r&b crossover, 120 BPM, syncopated beats, tribal toms, clean chorus guitar, distorted power chords, looping synth bass, lush synth pads, plate reverb vocals, wide stereo field, melancholic intro, explosive chorus, dynamic shift, breathy male vocals, raw belt, bittersweet longing

I ALREADY LEFT

70s piano rock gospel ballad slow tempo 68 bpm dark introspective tone minimal arrangement intimate grand piano dominant soft ambient pads subtle low strings no heavy drums until late very restrained male vocal low register a2 d4 breathy fragile emotionally detached delivery storytelling phrasing dynamic build from near silence to restrained emotional lift in final chorus sparse reverb early then expanding slightly ghostly background harmonies in final chorus cinematic but minimal Rock

70s piano rock gospel ballad slow tempo 68 bpm dark introspective tone minimal arrangement intimate grand piano dominant soft ambient pads subtle low strings no heavy drums until late very restrained male vocal low register a2 d4 breathy fragile emotionally detached delivery storytelling phrasing dynamic build from near silence to restrained emotional lift in final chorus sparse reverb early then expanding slightly ghostly background harmonies in final chorus cinematic but minimal Rock, Pop, Glam Rock, Soft Rock, Piano Rock style piano ballad meets ambient soul focus on emptiness and space no vocal distortion clean mix wide stereo in final section only avoid overproduction style s 0 82 weirdness w 0 28