Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

aNaX feat. Die Alpenbomber - Nix gewinnen, nix verlieren

synthesis of traditional volksmusik

synthesis of traditional volksmusik, böhmer polka, german schlager and karneval, hardstyle vibes, acordeon, yodeling, yodeling bavarian, bavarian male vocals, bavarian male voice singing and yodeling, duet, BG yodeling, ragtime vibes in chorus, jazzy mood, festive, high-NRG

Slušné království (fairytale story)

music behind

music behind, spoken words only, soft, man's voice only, jazz improvisation combined with acoustic instruments, dramatic, top quality, short song

Enemy retreats

Tough British indie-pop diva with a dry drum kit and rubbery bass groove; overdriven guitars punch in on hooks. Verses alternate half-sung

Tough British indie-pop diva with a dry drum kit and rubbery bass groove; overdriven guitars punch in on hooks. Verses alternate half-sung, half-spoken female vocals with distorted synth stabs shadowing rhythms. Guitars: 7-string ESP in Drop C, tight galloping riffs, soaring tremolo runs, and crushing palm-muted chugs layered with orchestral strings, Bass: gritty low grind, 80–120Hz, glued to double-kick drums driving at 190–210 BPM, Drums: relentless double-bass with half-time breakdowns and cymbal crashes like shattering glass. Choruses soar with stacked harmonies and strings, tambourine, and shouty gang ad-libs. Outro echoes and drops to a fragile solo vocal. Indie-surf/jazz lounge bridge features reverb guitar, brushed drums, upright bass, and builds from close-mic male vocals to massive choral bursts, then fades to a sparse, jazzed guitar outro.

Renaissance Variation (Evening Star)

jazzrock ballad bluesrock noir romance instrumentation clean electric guitar with tremolo and reverb david gilmour style smoky tenor saxophone solo upright bass double bass brushed drum kit warm electric piano rhodes vocals deep warm and romantic male lead reminiscent of leonard cohen or Blues, Jazz, Rock, Folk, Avant-Garde in ballad mode intimate spokenword sections passionate singing in choruses tempo slow romantic swing around 75 bpm mood melancholic romantic nocturnal urban poetic production highfidelity studio sound smoky club atmosphere warm analog feel

Siamo noi, Спасибо🇮🇹🇷🇺

[*Crea un brano Acid Jazz bilingue*] - [*Voce femminile russa e voce maschile italiana

[*Crea un brano Acid Jazz bilingue*] - [*Voce femminile russa e voce maschile italiana, duetto call & response*] - [*|Tempo: 95 BPM, groove mid-slow, sensuale e notturno - Batteria: breakbeat soft, ghost notes, charleston aperto*] - *[Basso: fretless o synth caldo, linea elastica e groove jazz] * -[* Piano/Rhodes: accordi sospesi, quartali, atmosfera lounge / acid jazz] * -[ *Chitarra: frasi corte, wah leggero, risposte vocali*] - [*Stile vocale: strofe parlato-sussurrato, ritornello aperto, emotivo ma elegante*] -*[ Atmosfera: notte, luci fredde, neon,]* *-[ Struttura:] * [ *Strofa 1 (italiano acid jazz) → Strofa 1] [(russo)] *[→ [Ritornello bilingue → Strofa 2] [(russo) →] [Strofa 2] [(italiano)] → *[Bridge] [bilingue* →] [*Ritornello] *[Finale bilingue] - [Mood: sensuale, urbano, emotivo, ] [leggermente “smoky”, con vibrazione jazz acida] - [Durata stimata: 3:30–4:00 minuti]

Мне теперь не до игрушек

Rap

Rap, anti-folk,,garage punk, garage pop, Flute, Percussion,Sleepy mandolin arpeggios and gentle water droplet percussion set a languid bathhouse blues mood, as upright bass softly anchors the verses, Accordion sighs warmly alongside tired mandolin patterns and muted trumpet melodies, Hazy chorus chords float upward with lush accordion layers, tremolo mandolin, soaring horn solos, and wine glass accents, The bridge features an intimate duet between mandolin and trumpet before easing back into the steam-filled, Balkan-tinged main theme, all framed by exhausted female singing that shifts between ironic detachment in verses and dreamy liberation in choruses, jazz pop, hard bass, drill and bass, guitar, russian indie, acoustic, cinematic, Piano, cloud

Samba diferente 🇧🇷

Brazilian Samba Powerfull female vocalist and replay jazzbossa tastes

Jolanta Bulzak – "Azyl"

90s roadside motel jazz-pop

90s roadside motel jazz-pop, noir lounge, cinematic intimacy

STAY FRESH THROUGH IT ALL x 밤에만 솔직해져 (Mashup)

Aggressive ad-lib

Aggressive ad-lib, piano r&b pop, math funk rock, groove, Velvety deep husky voice, smoky contralto, soulful bluesy singing, emotional powerful chest voice, rich lower register, raspy passionate delivery, jazz-infused hip-hop × Deep husky female vocals, raspy contralto, authoritative rap delivery, charismatic, soulful powerful belts, gravelly but smooth, thick low register, K-hip hop, energetic swag, expressive soul, Mid-tempo late-night funk track driven by a warm, syncopated bassline and clean muted guitar chops, Smooth, relaxed drum groove with subtle swing, Soft electric keys and minimal atmospheric pads add nocturnal depth, Female vocals in a low to mid register, calm and intimate, slightly breathy, delivering Korean lyrics with restrained emotion, The music feels composed and quiet on the surface, while honesty and vulnerability emerge only at night, No dramatic drops, just steady groove and gradual emotional unfolding, creating a reflective, urban, after-midnight funk atmosphere

Skyward - Instrumental

symphonic rock

symphonic rock, slacker rock, funk rock, j rock, jazz fusion, orchestra, progressive rock, instrumental only, clean production, 8D surround audio, 360 degree spatial rotation, wide stereo depth field, dynamic movement panning, High Quality, Studio Production, World-Class Studio Mix

Where the Wind Returns / 風が還る場所

Celtic jazz fusion with a natural

Celtic jazz fusion with a natural, breathing groove. Mid-tempo around 90 BPM. Traditional Celtic melody instruments (fiddle, tin whistle, or uilleann pipes) phrased gently over jazz-influenced harmony. Jazz piano or Rhodes using modal and extended chords. Upright bass with a flowing, melodic feel. Light brushed drums and organic percussion. Vocals should feel grounded and calm, blending into the landscape rather than leading it. Mood: open grasslands, wind, quiet resilience, and emotional clarity.

Dans le miroir je vois des ombres x (Le temps... le temps... qui s'éc… (Mashup)

A neo-soul hip-hop track driven by a deep

A neo-soul hip-hop track driven by a deep, resonant double bass lays a lush foundation. Rhythmic guitars weave syncopated textures, while jazzy piano chords float over cloud trap beats and airy hi-hats. Dreamy synths layer in the chorus, creating a spacious, modern vibe.

LET ME ROLL MY J x ANDROMEDA BOARDING PASS (Mashup)

cosmic G-funk / haunted dancehall / neo-soul trip-hop fusion with dark cartoon-dystopian lounge atmosphere

cosmic G-funk / haunted dancehall / neo-soul trip-hop fusion with dark cartoon-dystopian lounge atmosphere, deep melodic sub-bass grooves blending West Coast electric basslines with dub rumbles, crisp dry drum machine patterns fused with skeletal dub percussion and steady hi-hats, hypnotic space-echo effects layered over smooth jazzy electric guitar chords and soulful Rhodes piano flourishes. Sparse, bouncing dancehall-G-funk verses with low-end weight, filtered transitions featuring high-pitched gliding synth leads and eerie detuned stabs. Atmospheric analog pads, tape-saturated textures, ghostly vocal FX, and subtle dog bark ear-candy create a Spirit-House spaceship mood. Hip-hop drum swings mixed with reggae-dub neo-soul ambience and alt-hip-hop confidence. Lead vocals in a laid-back, nasal male tone with murmured rap phrasing alternating confident rhythmic flows and airy, soulful melodic lifts in choruses; vocals sit in the mix with roomy reverb, slapback echoes, light chorus, subt

Payday

Upbeat electro-swing track featuring a fusion of 1920s jazz aesthetics with modern electronic production. The arrangement is driven by a bouncy

Upbeat electro-swing track featuring a fusion of 1920s jazz aesthetics with modern electronic production. The arrangement is driven by a bouncy, syncopated four-on-the-floor kick drum, a crisp snare on the backbeat, and a walking bassline played on a synthesized upright bass. A prominent brass section provides staccato hits and melodic flourishes, while a bright, rhythmic piano comping style adds to the vintage feel. The vocals are energetic and rhythmic, delivered by a male singer with a clear, theatrical tone and occasional scat-style phrasing. The song structure follows a standard verse-chorus-bridge format, maintaining a high-energy tempo of approximately 125 BPM. Production elements include light swing quantization, subtle vinyl crackle textures, and modern compression that gives the brass and drums a punchy, contemporary edge. The key is G minor, utilizing classic jazz-inflected chord progressions like i-IV-V with added sevenths.

Murk Above The Dark Moor

A smooth

A smooth, swinging 1960s jazz instrumental led by a virtuoso electric guitar with a warm, round tone created by thumb-picking. The arrangement features a melody played in octaves, transitioning into sophisticated block chord solos. Supported by a tight rhythm section with a walking upright bass, soft brushed drums, and rhythmic piano comping. The vibe is relaxed. Wes Montgomery style

Udas Logon Se Pyar Karna (Cover)

Opens with piano

Opens with piano, upright bass, and tabla weaving intricate rhythm and sparse harmony. Commanding black female vocals deliver Charukesi raga microtonal runs with jazz phrasing. Haunting trumpet expands into lush Hindi melodies, then orchestral swells introduce drama before a cinematic, improvisational guitar solo. Symphonic textures support and intensify the fusion energy throughout.

Осенний микс

Hip-hop

Hip-hop, jazz (Звучит расслабленный, чуть ломанный джазовый бит.)

Толик не придёт (Remix)

pop-rock

pop-rock, male vocals, folk-pop, country jazz, uk garage, sad country, atmospheric effects

Wraża.enie

like the uploaded version . Jazz Soul

like the uploaded version . Jazz Soul, JazzPop,, male vocals

⋆✧⋆가을의 편지⋆✧⋆

A smooth blend of 90s boom bap and jazzy hip-hop featuring a laid-back

A smooth blend of 90s boom bap and jazzy hip-hop featuring a laid-back, soulful atmosphere. The track is built around a melodic, clean electric guitar loop playing jazz-inflected chords with a slight chorus effect. The drum pattern consists of a classic breakbeat with a crisp snare on the 2 and 4, a swinging hi-hat, and a warm, rounded kick drum. A deep, melodic electric bassline provides a groovy foundation. The vocals are delivered in a rhythmic, poetic rap style with a clear, mid-range male voice, characterized by intricate internal rhymes and a relaxed flow. The production is polished yet retains a vintage, lo-fi warmth, utilizing subtle scratching and vocal sampling in the transitions. The song structure follows a verse-chorus-verse pattern, with the chorus featuring layered vocal harmonies and a repetitive, catchy melodic hook. The tempo is a steady 92 BPM in the key of A minor.

4:13

aNaX feat. Die Alpenbomber - Nix gewinnen, nix verlieren

synthesis of traditional volksmusik

7:05

Slušné království (fairytale story)

music behind

music behind, spoken words only, soft, man's voice only, jazz improvisation combined with acoustic instruments, dramatic, top quality, short song